High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of ConnecticutStephens, Ann S. (Ann Sophia)
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High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of Connecticut
Stephens, Ann S. (Ann Sophia)
New York (N.Y.) -- Social life and customs -- 19th century
"Wal, now, you did it up as cute as a razor, didn't you?" sez I. "It was
eenamost enough to make a feller think that you was in arnest, wasn't
it? but then I aint quite sich a green horn as some chaps that come from
the country, and know what's what. I haint seen anything that tickled me
so much as that--that----"
"Comic song," sez he.
"Oh," sez I, as quick as wink, "you needn't take a feller up afore he's
down. I was jest a going to say that you raly are a sneezer at saying
over them comic songs, and sartinly you do look as nat'ral as life. In
course I knew there warn't no wall-eyed critter a bidding, and thought
I'd jest see if you was as cute a looking critter close to. More than
that, I've got a notion to take a peak at the fixins back of the curtain
close tu--so s'posing you and I jest walk among them hills, and housen,
and trees, that looked so plaguey cool and shady."
I kept on a talking so that he needn't see how tarnal sheepish I felt,
arter making sich a coot of myself as to believe he'd sold Miss Elssler
in rale arnest.
"Why," sez he, as good natured as could be, "here you are, right in the
midst of all the trees and hills and houses that you saw in front."
"Oh, now, you git out!" sez I, "I aint green enough to swaller that, any
how."
He looked round at a pile of old wooden partitions, daubed over with
paint, and a standing edgeways, and sort of slantindicular, under the
naked rafters and hay lofts, and sez he--
"I'm in arnest now--this is all the scenery that you saw from the front.
You stand on the stage, jest back of where I sung my comic song, and
that is the curtain."
"What, that old sloop sail?" sez I. "How you du talk! I sniggers, but I
can't believe it."
"Jest go to the curtain and look through the edge there," sez he.
And with that he went with me, and pulled back the edge of the curtain,
and I gin a sudden peak through. Sure enough, the theatre was right
before me, chuck full of folks, jest as I'd left it; and the pen full of
fiddlers, was a streaming out the music right under my nose, till I
couldn't hear myself think. When I turned round agin, and see how awful
dark and chilly every thing looked, and found myself wandering with Mr.
Williams among a hull univarse of posts, and boards, and lamps, and
painted cloth, I felt chilled through and through, as if I'd got ketched
in a rain storm, and had found kiver in a saw mill. Nothing but a
rickety old barn, or a lot full of white pine stumps, could look half so
dismal.
"Wal," sez I, "if this is the theatre, I pity the poor critters that's
got to get a living in it, any how."
"It's bad enuf," sez Mr. Williams, a twistifying up his face sort of
comical, and yit looking as if he'd bust out a crying if you said two
words more, "its bad enuf, but then we put the best side out."
Public-domain text, read in full here on John Shaqi.
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