High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of ConnecticutStephens, Ann S. (Ann Sophia)
General
High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of Connecticut
Stephens, Ann S. (Ann Sophia)
New York (N.Y.) -- Social life and customs -- 19th century
Cousin John he took hold of my arm, and hauled me along through a little
door into a great big room built off more like a meeting-house than
anything else--and yet it wasn't like that neither. It was shaped kinder
like a horse shoe, the floor was chuck full of benches, kivered over
with red cushions, and there was four galleries all pillared off and
painted, and set off with gold and great blazing glass things that made
every thing look as bright as day. In the second gallery there were
five or six pens all boarded off from the rest, with lots of gold
picters all round them, and hung over with silk curtains, till they
looked more like the berths on board a steamboat than any thing I could
think on. These places were chuck full of allfired harnsome gals and
spruce looking fellers, that were dressed off to kill, and talked and
laughed as chipper as could be. The ruff was an etarnal way up from the
floor; it rounded up, and was crinkle-crankled off with gold and picters
till it looked like the West jest afore sundown, when the red and yaller
and purple lie in heaps and ridges all over the sky.
Think sez I, if that's what par means by a device of the devil, Old Nick
is no slouch at putting the shine on the ruff of his house, anyhow.
We sot down on one of the red benches in the lowest gallery, and I got a
leetle over the twitter that I was in at fust, and jest made up my mind
to look amongst the folks to see what was going on.
It warn't a mite of wonder that the musicianers made me jump so when I
was in the entry way, for clear on t'other eend of the room was a long
pen chuck full and running over with fiddlers, base drums, and great
brass horns, all pulling and blowing and thumping away like all natur;
didn't they send out the music!--never on arth did I hear any thing like
it! It made me choke and sigh and ketch my breath like a dying hen; and
all I could du, my feet would keep going over the steps, and my yaller
gloves seemed as if they never would git still agin, they kept so busy a
beating time on the leg of my new trousers. Jest over the pen where the
fiddlers sot, hung a great picter as big as the side of a house. I
thought of what you said about theatres being filled with picters of the
devil's own painting; but I couldn't make up my mind that that was one
on 'em, for it was so green and cold, and a pale man, pictered out on a
heap of stuns in the middle on it, looked as shivery as if he'd had a
fit of the fever and ague--besides there was water painted out, and
every body knows that Old Scratch aint tee-total enough to paint a
picter chuck full of clouds and water and sich like, without one spark
of fire to make him feel to hum in his own premises.
Public-domain text, read in full here on John Shaqi.
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