The window over the organ loft shows us the Ascension, and the Coming of the Holy Ghost. TYPE | TYPE Elijah going up into Heaven. | Moses and the Israelites receiving | the Law at Pentecost. | ANTITYPE | ANTITYPE Christ going up into Heaven. | Mary and the Disciples receiving | the Holy Spirit at Pentecost. Elijah is deliberately turning round in his golden chariot of fire to cast down his ample ruby mantle upon Elisha. Moses is taking the Tables of the Law from the hand of God. * * * * * The subjects of the three windows between the screen and the south door are all from the lives of St. Peter and St. Paul, and nearly all from the Acts of the Apostles, from which also all the texts are taken. Accordingly the place of the usual prophetic Messengers is, in these windows, taken by figures of St. Luke (all identical), habited in the costume worn by a Doctor of Medicine in the sixteenth century. The series of type and antitype is dropped in these windows, and no strict chronological order is observed in the sequence of the subjects. Probably some have been misplaced, either originally or at one of the various releadings to which they have necessarily been subjected. Every century brings fresh need for this operation. The subjects in the first window are: Peter and the Apostles entering | Peter and John bound and the Temple. | scourged. | Peter and John healing the lame | The Death of Ananias. man in the Beautiful Gate. | The design of the last scene is directly copied from Raphael's well-known cartoon. * * * * * The second window gives: The Conversion of St. Paul. | St. Paul at Damascus and his | escape in a basket. | St. Paul adored at Lystra. | St. Paul stoned at Lystra. * * * * * The third window is also Pauline: St. Paul giving a farewell blessing |St. Paul before the Chief Captain at before embarkation. | Jerusalem. | St. Paul exorcising the demoniac at |St. Paul before Caesar at Rome. Philippi.