Leaving _Scartho_ we quickly reach the outskirts of Grimsby, and, turning to the right on the Cleethorpes road, we come in a couple of miles to the church of _Clee_. This is the best of the group we have been visiting. It is one of the earliest churches in the county, and is highly interesting, not only for the venerable antiquity of its tower, but for the fine and varied early Norman and Transition architecture in the body of the church. As a rule there is nothing left of any antiquity in these pre-Norman churches but the tower. [Sidenote: CLEE] There is a narrow western doorway and a much taller one of similar character opening into the nave; each has Voussoirs set in double rows. Just above the belfry on the west face is a keyhole light made of top and side stones, and a circular light in the south face. Mr. Jeans, in Murray’s “Lincolnshire,” notes that they have all similar characteristics—“Rubble walling with large quoins, a bold string-course dividing them into stages, tall, narrow doorways with rude imposts and coupled belfry windows with a massive mid-wall shaft.” All this we find at _Clee_, and the red calcined stones in the wall tell of the Danish fire here as at Scartho. The early Norman arcade in the north of the nave has square piers with shafts at the corners, one of them twisted, like the work in Durham Cathedral. All are different in their structure and in the carving of their capitals. The south arcade has thick round columns of later Norman work with chevron, billet, and very thick cable moulding. The arches are round, and the stones of the moulding, as at Somerby, being cut by various hands and without plan or drawing, fit together, but are hardly any two of them of the same sized pattern. This is quite usual in Norman arch mouldings. I noticed it lately over the west doorway of the fine tower of New Romney, Kent. The arches at the east of each aisle which give upon the transepts are pointed, but with Norman mouldings, and the transept arches are the same; the transepts themselves and the low central tower and the chancel are all modern. The old tower is, as usual, at the west end. On the shaft of one of the south arcade pillars is a very interesting record of two notable Bishops of Lincoln. It is in Latin, cut on a small tablet of marble about six inches by eight, and let in flush with the pillar. It says that “the Church was dedicated in honour of the Holy Trinity and the blessed Virgin by Hugh Bishop of Lincoln in the year 1192, in the time of King Richard and re-dedicated after restoration by Bishop Christopher Wordsworth in 1888.” 1192 was the same year in which Bishop Hugh began the choir at Lincoln, which is pure Early English, but doubtless the nave at Clee was built some years before it was dedicated. The font is a massive Norman one, and a portion of the shaft of an early cross stands just inside the door. [Illustration: _Clee Church._] [Sidenote: PRE-NORMAN TOWER] [Sidenote: ASHBY-CUM-FENBY]