Politics in Reigate are a mixed memory. Like Gatton, Reigate was a
pocket borough, and sent two members to Parliament until 1832, when the
two were reduced to one. Even the one disappeared in 1867, when the
borough was disfranchised for bribery and treating--a subject of
conversation which Mr. Louis Jennings, writing three years later in
_Field Paths and Green Lanes_, notes as dangerous if introduced too
suddenly in social circles in the neighbourhood.
But an even more remarkable political record belongs to one of Reigate's
neighbours. Gatton, once a borough and now a park, had the privilege
granted to its owner in 1451 of sending two members to Parliament. The
Copleys of Leigh were lords of the manor in the days of Henry VIII, and
Sir Richard Copley was at one time the only inhabitant of the borough,
so that his voting power was considerable. When Cobbett was abroad on
his _Rural Rides_, there were Reigate, Gatton, and Bletchingley within a
few miles of one another, all of them rotten boroughs, and each of them
returning a couple of members. Cobbett, of course, boiled whenever he
heard the names; Gatton in particular, was "a very rascally spot of
earth." He lived to see a very bad bargain for Gatton's privileges. Lord
Monson, in 1830, bought the estate with its votes for two members for
L100,000. Two years later, Gatton as a borough was ended by the Reform
Bill and all Lord Monson had for his L100,000 was the land.
Lord Monson started with the intention of making Gatton House one of the
most superb in the kingdom. He began with the hall, which he built on
the lines of the Corsini chapel in the church of San Giovanni in
Laterano at Rome, though he did not add the dome. The floor he had laid
of coloured marbles, patterned in the most delicate designs; the marble
had been designed for Ferdinand VII of Spain, and cost L10,000. The
walls and arches are as richly decorated as the floor. There are four
frescoes by Joseph Severn; Eleanor of Castile represents Fortitude;
Esther, Prudence; Ruth, Meekness; Patience could only be Penelope. The
effect of the shining stone and painted arches is of extraordinary
brilliance and completeness--the completeness of an unrivalled
collection. But there is somewhere something bizarre; perhaps it is the
setting. Marble demands marble neighbours, and the setting of these
exotic treasures is the simple beauty of English parkland. The little
church fits better with the great trees and the green grass. The
building is nothing; the interior has the grace and the light of a
cathedral chapel. Lord Monson decorated Gatton Church with the
magnificence with which he imagined the hall, but his ideal for the
church was quieter. He bought carved wood of the most exquisite
workmanship and set it wherever the church could hold it; a pulpit and
an altar from Nuremberg, said to be by Duerer, but the critics dispute
it; the elaborately fitted stalls came from a monastery in Ghent, and
altar rails from Tongres.
Public-domain text, read in full here on John Shaqi.
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