Besides the inns, two old houses in particular set their mark on the
High Street. One is dated 1663; both are of rich brickwork, almost
extravagantly ornate with ledges, patterned courses, elaborate parapets
and casements. The unhappy addition is the paint. If they had never been
painted, or if the paint could be done away with, the pattern would take
on twice its charm. But that is the main regret for all Godalming. If
the High Street could have its false fronts pulled down, and all its old
timber and brick shown to the road, it would fascinate as Guildford
does. It would be worth the town's while to spend money to show what it
possesses of older centuries. But that is a frequent reflection in other
towns.
[Illustration: _Timbered House in the Market Place, Godalming._]
One memory of the past has survived the attacks of Godalming's newest
and noisiest citizens. The little Town Hall, built squarely in the
middle of the road at the west end of the High Street on the site of an
older building, has been threatened by a section (I am told) of
Godalming tradesmen for many years, and would tremble still, if it were
not so solidly built of good Georgian brick. It is said to be awkward
for motor traffic, to be not handsome, and generally to be out of date
and in the way. As to its looks, it belongs to 1814, and is plain and
simple enough, but it carries a graceful clock tower and a copper
cupola, and its destruction is not to be thought of. The day has gone
for wanton throwing into the past what the past has left, and the
little Town Hall will continue to slow down the traffic and draw
visitors to the High Street, it is to be hoped, for many years to come.
The town corporation have done better for themselves than to pull down
the old Town Hall. They have set up some modern buildings for town
business, which for good work in good material are as excellent a modern
addition as could have been made to any old town.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account