Highways of Canadian LiteratureLogan, J. D. (John Daniel)
History
Highways of Canadian Literature
Logan, J. D. (John Daniel)
Canadian literature -- History and criticism
_The Wood Carver’s Wife_ was first published in _The University
Magazine_ in 1920. It was reprinted, along with other fugitive poems, in
1922, the drama supplying the title poem of the volume. _The Wood
Carver’s Wife_ has four characters, one of whom is Shagonas, an Indian
lad who represents Nemesis. It is set in the time of the Intendant. The
theme is ‘the eternal triangle’—a girl-wife, with a husband still alive
and a secret lover. The mood of the drama is the tragedy which follows
the sin of disloyalty to the sacrament of marriage, even if the
disloyalty is only in the heart and never openly expressed in
clandestine meeting between the wife and the lover. The mood of the
dramatist, however, is not one of simply illustrating the law that the
‘soul that sinneth it shall die,’ but of wistfulness about the ways of
God to men and women when spiritual unmating is permitted by Heaven. The
dramatist _seems_ to put her own feeling about the matter into her
drama. She seems to feel that if the moral law is inexorable, it ought
not to be so in the case of a young girl who innocently, or without
knowing her own heart and what she was doing, married a man, who, after
all, did not want her as an end in herself, or her spirit for its own
sake, but to have her as a model for the statue of the Blessed Virgin he
was creating in wood, as a chattel in his studio. Humanly, Marjorie
Pickthall felt that the girl-wife was more sinned against than sinning
when she allowed herself to be conscious—merely conscious—of the
lover. But Marjorie Pickthall, with loyalty to the dramatic necessities,
though with a spiritual wistfulness all the while, constructed the
action and movement of _The Wood Carver’s Wife_ so that the tragic
ending was inevitable. For the husband knows that there is a secret
lover, and Shagonas knows, and at the tragic climax it is the arrow of
the Indian, representing the moral law, that sends the lover to his
death. The girl-wife knows what has happened, because she has heard the
twang of Shagonas’ bow-string. The tragedy is complete when she receives
from Shagonas, who is again Nemesis, the sword of her lover, and dies
with a mad speech on her lips, while at the same time the husband, also
mad, as he was from the beginning, has Shagonas pose the beautiful dead
body of the girl-wife that he may put the acme touches to his statue.
Public-domain text, read in full here on John Shaqi.
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