With the same intent as Haliburton, namely, to correct certain centrifugal tendencies in society, Davis employs satire, not, as did Haliburton, in prose, but in verse, which was the traditional medium of the satire of Haliburton’s and Davis’ Loyalist ancestors in Pre-Revolutionary days in the Old Colonies. The form of Davis’ ‘essay on man and society’ in verse adds, on the side of novelty, a fresh contribution to the satiric literature of Canada. The poet has avoided going back to the traditional rhymed couplet of the Loyalist satirists in Nova Scotia, but has used an octavo stanzaic form in which the first six lines are rhymed alternately, and the last two are rhymed as a couplet. This effects a pleasant sense of finality and rest. Besides, Davis has invented a considerable number of lines which are musical, and arresting or startling in novelty of imagery, as, for instance, this ingenious and daring couplet:— A goose-step strutting Kaiser, kissing Mars, Has missed the humor of the midnight stars! When, therefore, we survey the history of Canadian humor from Haliburton to Leacock, and from Leacock to MacTavish and Davis, the humorists who have remained salient and popular, and whose work seems to have the inherent qualities which make for permanent appeal, are Haliburton and Lanigan. And when we survey and note the variety and distinction of Canadian humor—that it is, in many ways, a humor quite by itself, and that it is of considerable quantity—we may reply to certain literary historians and critics that Canadians are not, as they are superstitiously believed to be, a humorless people and quite without a literature of humor. For Canada has produced several notable humorists, an admirable literature of humor; and the work of one of Canada’s humorists, Haliburton, has long possessed international renown—a place in permanent world literature. CHAPTER XXIV National Stage Drama THE RISE OF NATIVE AND NATIONAL REALISTIC STAGE DRAMA IN CANADA: THE LITTLE THEATRE AND THE WORK OF CARROLL AIKINS AND MERRILL DENISON. Although Canada is relatively rich in Poetic Drama, there is no evidence of a developed Stage Drama. Part of the literary future of the country lies in the development of native and national stage drama. A significant beginning in native production of the acted drama was inaugurated by Mr. Carroll Aikins who established in the Okanagan Valley, at a centre named Naramata, a ‘Little Theatre,’ which he named The Home Theatre. It was formally opened in November 1920 by the Rt. Hon. Mr. Meighen, then Prime Minister. Mr. Aikins’ aims were to produce a national drama, staged according to artistic conceptions of simplicity and beauty, and to teach the people to appreciate good plays produced with simple and beautiful properties, stage sets, and lighting.