Hilaire Belloc, the man and his workMandell, C. Creighton
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Hilaire Belloc, the man and his work
Mandell, C. Creighton
Belloc, Hilaire, 1870-1953 -- Criticism and interpretation
"I learnt ... that she had married a man whose fame had long been
familiar to me, a politician, a patriot, and a most capable
manufacturer.... Then strong, and at last (at such a price) mature,
I noted the hour and went towards the doors through which she had
entered perhaps an hour ago in the company of the man with whose
name she had mingled her own."
_Myself._ "What did he manufacture?"
_Grizzlebeard._ "Rectified lard; and so well, let me tell you, that
no one could compete with him."
Let the reader explain, if he can, the comic effect of that startling
irrelevance; we cannot, but it is characteristic.
It is some effect of dexterity with words, some happy spring of
inconsequence, which produces this particular kind of joke. A certain
exuberance in writing which plainly intoxicates the writer and carries
the reader with it, is at the bottom of humour of this sort. What is it
that causes us to smile at the following passage, a disquisition on the
aptitude of the word "surprising"?
An elephant escapes from a circus and puts his head in at your
window while you are writing and thinking of a word. You look up.
You may be alarmed, you may be astonished, you may be moved to
sudden processes of thought; but one thing you will find about it,
and you will find out quite quickly, and it will dominate all your
other emotions of the time: the elephant's head will be surprising.
You are caught. Your soul says loudly to its Creator: "Oh, this is
something new!"
One might suggest that psychological analysis with an example so absurd
provokes the sense of the comic, but it is not quite that. It is not
Heinesque irony, the concealment of an insult, nor Wilde's paradox, the
burlesque of a truth. It is merely comic: a humorous facility in the use
of words, though not barren as such things are apt to be, but quite
common and human. The philosophical rules of laughter do not explain it:
but it is funny.
Something of the same attraction rests in a quite absurd essay, wherein
Mr. Belloc describes how he was waylaid by an inventor and, having
suffered the explanations of the man, retaliated with advice as to the
means to pursue to get the new machine adopted. The technical terms
invented for both parties to the dialogue are deliciously idiotic, a
sort of exalted abstract play with the dictionary of technology.
In descriptions of persons we are on safer ground, and the reader, if he
still care, after all we have said, for such-like foolishness, may
explain these jokes by the incongruity of teleological beings acting in
an ateleological manner. We are determined to be content in picking out
passages that amuse us and in commenting on them but by no means
explaining them.
Public-domain text, read in full here on John Shaqi.
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