She thought of Edwin Clayhanger and Charlie Orgreave as being about twenty-two, and tried in her imagination to endow the mature George Cannon with their youth and their simplicity and their freshness. She was saddened and overawed; not wrathful, not obsessed by a sense of injury. Then she heard a sob in the corner, and then another. The moment was terrible for her. She could only distinguish in the room the blur of a man's shape against the light-coloured wall-paper, and the whiteness of the counterpane, and the dark square of the window broken by the black silhouette of the mirror. She slipped off the bed, and going in the direction of the dressing-table groped for a match-box and lit the gas. Dazzled by the glare of the gas, she turned to look at the corner where stood George Cannon. III The whole aspect of the room was now altered. The window was blacker than anything else; light shone on the carved frame of the mirror and on the vessels of the washstand; the trunks each threw a sharply defined shadow; the bed was half in the shadow of its mahogany foot, and half a glittering white; all the array of requisites on the dressing-table lay stark under the close scrutiny of the gas; and high above the bed, partly on the wall and partly on the ceiling, was a bright oblong reflection from the upturned mirror. Hilda turned to George with a straightening of the shoulders, as if to say: "It is I who have the courage to light the gas and face the situation!" But when she saw him her challenging pride seemed to die slowly away. Though there was no sign of a tear on his features, and though it was difficult to believe that it was he who had just sobbed, nevertheless, his figure was dismayingly tragic. Every feature was distorted by agitation. He was absorbed in himself, shameless and careless of appearances. He was no more concerned about appearances and manly shame than a sufferer dying in torment. He was beyond all that--in truth a new George Cannon! He left the corner, and sat down on the bed in the hollow made by Hilda, and stared at the wall, his hands in the pockets of his gay suit. His gestures as he moved, and his posture as he sat, made their unconscious appeal to her in their abandonment. He was caught; he was vanquished; he was despairing; but he instinctively, and without any wish to do so, kept his dignity. He was still, in his complete overthrow, the mature man of the world, the man to whom it was impossible to be ridiculous.