Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
“By this hand,” answered Hildebrand, raising her trembling hand
to his lips, “I could not have won the street, an’ I had been
minded. I had scarce touched the ground, when a man started
out on the path before me, with something in his hand, which I
took to be a rapier. Though I was not afeard to encounter him,
I had no desire to spill blood, and, therefore, I resolved to
keep _perdu_ a while. But he was on the watch, and, whether he
suspected my vicinity, or simply sought to overlook the house,
he held his ground, and so kept me close. This wearied me, and
I determined, whatever should ensue, to set forward again. The
darkness favoured me, and, keeping close to the house, I crept
stealthily onward, and paused not till I came here. After staying
here a space, I had concluded to sally out, and, if no one should
be about, try to gain the street; but at this juncture, I heard
thy step approach, and that, of course, brought me to a stand.
Not doubting that thou wast some enemy, I looked round for a
hiding-place; and, by good fortune, espied yonder closet, where
thou didst happily discover me.”
“’Tis a downright tale of adventure,” observed Inez, with a smile.
“And I will be surety,” remarked Hildebrand, in reply, “thy
progress hither hath also been venturesome. How didst thou fare,
lady?”
Inez, quite reassured by their seeming security, did not hesitate
to meet his inquiry with a full account of her excursion, and
the thoughts and apprehensions that, according as its incidents
were favourable or adverse, or her anxiety for Hildebrand
more or less pressing, had marked its progress. Her narrative
had a deeper effect on Hildebrand, whom his recent moments of
reflection had rendered more collected, and less subservient to
the wild impulses of passion, than she supposed; and inspired him
with a more apparent interest than she had looked for. Indeed,
in its detail of risks and terrors, it exhibited such a devoted
affection for him, above what he had sought to excite, that he
could no longer regard her as a mere light-of-love, or safely
venture to trifle with her heart. The artless narration awakened
his better nature, and, by the very confidence that it placed
in him, called up in his bosom a sense of remorse, that was far
from lending a stimulant to the dictates of passion. In the
revelation of her fears and anxieties, he saw the tenderness
and deep sensibility of her amiable heart, and became aware, by
this discovery, that her character was not composed of the light
elements he had imagined, but of all the choice and sterling
qualities of her sex.
Public-domain text, read in full here on John Shaqi.
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