Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
It was at the countinghouse of Shedlock and Craftall, in the
High-street, that Bernard first paused in his excursion. The
house was shut up; but in the part which might be more properly
called the countinghouse, there was some trace of a light,
peeping through the outlines of the window-shutters, which showed
that one of the inmates was yet astir. The room in question, like
the generality of commercial offices, opened into the street,
and, consequently, Bernard was able to approach the door, and
there listen a while before he solicited admittance.
All was still within; and it suddenly occurred to Bernard, on
meditating how he should proceed, that it would be well to try
if the door were unfastened before he knocked, and, should the
result be favourable, enter without notice. In pursuance of this
design, he cautiously raised the latch, and, pushing forward, the
door flew open.
Hastily glancing in, Bernard perceived a man at a contiguous
desk, immediately in front of a lighted lamp, whom he recognised
as Craftall. He was leaning forward, with his elbows fixed on the
desk, and his hands, which were raised to a level with his lips,
clasped together before him, as if he were engaged in prayer.
Hearing Bernard’s step, he snatched up some article that, while
he was in the posture described, had been standing on the desk
before him, and hastily slipped it into one of the drawers; and
then, with the same precipitation, turned to see who was his
visiter.
His face was deadly pale, and his thin, shrivelled lips, on
his turning fully round, were agitated by a nervous quiver,
which could only be caused by a very stirring emotion. Whatever
it might be that thus discomposed him, the discovery that his
visiter was Bernard Gray, whom he well knew, by no means tended
to inspire and embolden him with new spirit. It was, however, no
part of Bernard’s design, on the present occasion, to suffer him
to see that he was sensible of his confusion, and, with the view
of soothing and diverting his suspicions, he at once proceeded to
draw him into discourse.
“The good time of the night to thee, Master Craftall,” he said.
“Hath Master Shedlock been here of late?”
Though his faculties were somewhat disordered, Craftall’s
characteristic caution, far from being asleep, was more prompt
and lively under the pressure of his embarrassment, and he was
less open to a surprise than at a moment of composure. The
inquiry of Bernard, though deliberately and readily propounded,
might signify nothing, and he believed that such was the case;
but, however this might be, it was his laudable and discreet
practice ever to be on his guard. Being obliged, however, on
the passing occasion, to speak on the instant, and without
forethought, it was difficult to frame an answer that would not
some way commit him; and for once the man of craft hesitated.
But his hesitation was so transient, that it could hardly be
detected; and, after a moment’s interval, he was prepared with a
reply.
Public-domain text, read in full here on John Shaqi.
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