Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
Her appearance had undergone a great alteration during the last
few months. The outlines of her exquisite person, as she sat
erect in her chair, looked more matured, and revealed the most
bewitching traces of female loveliness. Viewed separately, the
mould of each limb, in its turn round, presented some unexpected
attraction, and, while it lay perfectly still and motionless,
was yet more charming from its look of life and elasticity,
than from its numberless graces. Not the least of these lay in
the uninterrupted accuracy which was followed by the outline
of her whole figure. In pursuing this, the eye expected, as
an ascertained consequence, each successive and varied turn,
and followed the _contour_ spontaneously through every line.
But no eye could glance at her fair shoulders and neck, falling
imperceptibly into the upper region of her bosom, which was just
visible above the frilled edging of her bodice, without making
an admiring pause. Here the very _beau ideal_ of proportion,
marked with a hundred beautiful shades, was displayed in full,
and, withal, was so bright and lively, that one could almost see
the animation that it protected and veiled over. The delicate
rounding of her chin wooed the gaze on further; and in her fresh
and dazzling complexion, yet only relieved, not overcast, by
various touches of thought, and teeming with health and buoyancy,
opened to view a still more captivating object. Her large, deep
eyes, beaming with tenderness, yet pregnant with reflection,
seemed to shed over it actual and distinct rays, and to crown
its bloom with an atmosphere of light. The soft, mellow tint,
that, like “the red morning,” surmounted her cheeks, looked
deeper than the skin, and, in its fulness of thought and feeling,
led one to dive to the heart, to which, in pure truth, it was
a mere tributary. Nor did the arch of her brows, or the long,
glossy fringe of her eyelids, though of the deepest black, impair
this effect; but rather served, by their varied colouring, to
heighten and confirm it. Her luxuriant black hair was yet hardly
dressed, and was pushed behind her small ears, on to her neck and
shoulders, in numberless light curls, that one could not regard
without the liveliest admiration.
Though she sat silent, her face, as has been remarked, was full
of thought, and intimated that the mind was busy within. Yet
there was nothing of melancholy in her aspect, or of gloom in her
reflections. The theme of her meditation, indeed, to a girl of
her age and temper, was rather enlivening:--it was love!
Public-domain text, read in full here on John Shaqi.
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