Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 3 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 3 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
“Never!” exclaimed Sir Edgar, in a broken voice. “’Tis a thing I
had set my heart on. But never care, my darling! We will speak of
it no more!”
“Thank you! thank you!” cried Evaline.
She rose as she spoke, and, withdrawing her small hand from his
clasp, threw her arm round his neck, and kissed his cheek. Then,
with a deep sigh, she broke away from him, and passed out of the
chamber.
Sir Edgar watched her till the door, closing after her, hid her
from his view, when he turned mournfully away, and threw himself
into the chair which she had just vacated. His expectations, no
less than hers, were blighted; his peace also was gone; his and
his child’s sympathies were no longer concordant.
It is a bitter thing for a parent to find an obstacle to his
heart’s desire in his own child, even when, as in Sir Edgar’s
case, he feels that his child’s opposition is perfectly and
strictly legitimate. It is as if his hand, acting on a judgment
of its own, refused to answer the call of his mouth--as if his
body disdained to be swayed by his mind. Though he may distinctly
perceive and understand, that his child sees in his command an
object of abhorrence, and may mentally bleed at her every pang,
he yet feels, in his heart, that she ought to be persuaded that
it is really a path to happiness, and embrace it cheerfully. He
may know how the idea appals her; he may commiserate and writhe
under her deep sufferings; but for all this, he still thinks, in
his moments of retirement, that her terrors are foolish, that her
sufferings are the offspring of her own imagination, and that
obedience to him would insure her happiness and fruition.
Though he had promised never again to request Evaline to accept
the hand of Don Felix, Sir Edgar found, on reflection, that
he could not tear that project from his heart, or forego its
realization, without a bitter pang. He had conceived it when they
were yet children; it had, as it were, grown on his affections,
as his affections had grown with them; and he now saw a weak and
unhappy passion, which could never be pursued, and the mere
entertainment of which was degrading, step in to oppose it. He
was to see his child wither under the breath of a villain, when,
as he thought, a career of happiness was open to her, and the
height of earthly bliss was within her reach.
The last of his house would never wed: when he should be laid in
the cold grave, he would leave in the world, in which all men
seek a memorial, not a vestige of his race. The inheritance of
a score of ancestors, improved by his care, and extended by his
economy, would pass to strangers, and he would die unmourned, and
lie in his sepulchre unremembered.
Public-domain text, read in full here on John Shaqi.
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