Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 1 (of 2)Hildreth, Richard
History
Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 1 (of 2)
Hildreth, Richard
Japan -- History
“The actors are commonly girls, taken out of the courtesans’ houses,
and boys from those streets at whose expense the solemnity is
performed. They are all magnificently clad, in variously colored
silken gowns, suitable to the characters they are to present; and it
must be owned that, generally speaking, they act their part with an
assurance and becoming dexterity, not to be exceeded, nay, scarce to be
paralleled, by the best European actors.
“The streets which bear the expense make their appearance in the
following order: First of all is carried a rich canopy, or else
an umbrella, made of silk, being the palladium of the street. Over
it, in the middle, is placed a shield, whereupon is writ, in large
characters, the name of the street. Next to the canopy follow the
musicians, masked, and in proper liveries. The music is both vocal
and instrumental. The instruments are chiefly flutes of different
sorts, and small drums; now and then a large drum, cymbals and bells,
are brought in among the rest. The instrumental music is so poor
and lamentable that it seems much easier to satisfy their gods than
to please a musical ear. Nor is the vocal part much preferable to
the instrumental, for although they keep time tolerably, and sing
according to some notes, yet they do it in so very slow a manner that
the music seems to be rather calculated to regulate their action, and
the motions of their body in their ballets and dances, wherein they
are very ingenious and dexterous, and little inferior to our European
dancers, excepting only that they seem to want a little more action and
swiftness in their feet.
“The musicians are followed by the necessary machines and the whole
apparatus for the ensuing representations, the largest being carried
by laboring people, the lesser—as benches, staffs, flowers, and the
like—by the children of the inhabitants, neatly clad. Next follow
the actors themselves, and after them all the inhabitants of the
street in a body in their holiday clothes and garments of ceremony.
To make the appearance so much the greater the procession is closed
by a considerable number of people who carry stools and other things,
walking two and two.
[Illustration: MUSICAL INSTRUMENTS: TWO STYLES OF DRUMS; A
FLUTE-PLAYER]
“The dances and shows of each street commonly last about three quarters
of an hour, and being over, the company marches off in the same order
they came in, to make way for the appearance and shows of another
street, which is again followed by another, and so on. All the streets
strive to outdo each other in a magnificent retinue and surprising
scenes. The processions and shows begin early in the morning, and the
whole ends about noon.”
The following were among the presentations by the different streets at
the _matsuri_ at which Kämpfer was present.
Public-domain text, read in full here on John Shaqi.
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