Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)Hildreth, Richard
History
Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)
Hildreth, Richard
Japan -- History
The next day (the 12th) he brought information that the emperor would
send down a high officer to receive the letter. No answer would be
given immediately, but one would be forwarded through the Dutch or
Chinese. This latter proposition the commodore treated as an insult.
As, however, if he waited for an answer, excuses might easily be
found for protracting his stay in an inconvenient manner, and at last
wearying him out, he agreed to allow time for its preparation, and to
return to receive it. The following Thursday (the 14th) was appointed
for the interview with the commissioners appointed to receive the
letter, which was to take place two miles south of the town, at a
picturesque spot, on the left side of a narrow valley, extending
inland from the head of the bight. Its retired situation, and the
facility it afforded for the display of a military force, were probably
the motives of its selection.
At the hour appointed for the meeting, as the two steamers approached
the spot, long lines of canvas walls were seen stretching,
crescent-wise, quite round the head of the bight, and in front files
of soldiers with a multitude of brilliant banners. Near the centre of
the crescent were nine tall standards, with broad scarlet pennons, in
the rear of which could be seen the roof of the house prepared for the
interview. On the right, a line of fifty or sixty boats was drawn up,
parallel to the beach, each with a red flag at its stern.
The foremost files of the Japanese soldiers stood about a hundred yards
from the beach, in somewhat loose and straggling order. The greater
part were behind the canvas screens. There were a number of horses to
be seen, and in the background a body of cavalry. The Japanese stated
the number of troops at five thousand. On the slope of the hill, near
the village, was collected a crowd of spectators, of whom many were
women.
[Illustration: THEATRICAL REPRESENTATIONS: THE “NO” DANCE;
CHRYSANTHEMUM FIGURES]
Public-domain text, read in full here on John Shaqi.
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