New England -- Social life and customs -- Fiction; Vermont -- Poetry
There was a pause in which the three gazed idly at the fire's reflection
in the brass of the superb old andirons Then, "Haven't you something new
to show us?" asked the woman. "Some genuine Masaccio, picked up in a
hill-town monastery--a real Ribera?"
The small old Jew drew a long breath. "Yes, I have something new." He
hesitated, opened his lips, closed them again and, looking at the fire,
"Oh yes, very new indeed--new to me."
"Is it here?" The great surgeon looked about the picture-covered walls.
"No; I have it in--you know what you call the inner sanctuary--the light
here is not good enough."
The actress stood up, her glittering dress flashing a thousand eyes at the
fire. "Let me see it," she commanded. "Certainly I would like to see
anything that was new to _you_!"
"You shall amuse yourself by identifying the artist without my aid," said
old Vieyra.
He opened a door, held back a portière, let his guests pass through into a
darkened room, turned on a softly brilliant light, and: "Whom do you make
the artist?" he said. He did not look at the picture. He looked at the
faces of his guests, and after a long silent pause, he smiled faintly into
his beard. "Let us go back to the fire," he said, and clicked them into
darkness again.
"And what do you say?" he asked as they sat down.
"By Jove!" cried the doctor. "By Jove!"
Madame Orloff turned on the collector the somber glow of her deep-set
eyes. "I have dreamed it," she said.
"It is real," said Vieyra. "You are the first to see it. I wished to
observe how----"
"It's an unknown Vermeer!" The doctor brought his big white hand down
loudly on this discovery. "Nobody but Vermeer could have done the plaster
wall in the sunlight. And the girl's strange gray head-dress must be
seventeenth-century Dutch of some province I don't----"
"I am a rich man, for a picture-dealer," said Vieyra, "but only national
governments can afford to buy Vermeers nowadays."
"But you picked it up from some corner, some attic, some stable----"
"Yes, I picked it up from a stable," said the collector.
The actress laid her slender, burning fingers on his cool old hand. "Tell
us--tell us," she urged. "There is something different here."
"Yes, there is something different," he stirred in his chair and thrust
out his lips. "So different that I don't know if you----"
"Try me! try me!" she assured him ardently. "You have educated me well to
your own hard standards all these years."
At this he looked at her, startled, frowning, attentive, and ended by
shaking off her hand. "No, I will not tell you."
"You shall----" her eyes commanded, adjured him. There was a silence. "I
will understand," she said under her breath.
Public-domain text, read in full here on John Shaqi.
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