New England -- Social life and customs -- Fiction; Vermont -- Poetry
His grizzled hair was turned quite white when his sister kissed him
good-by, fresh tears in her eyes, scarcely dry from the excitement of her
youngest daughter's wedding. She had a moment of divination like his, and
said sadly, "There's no use trying to thank ye, Timmy, words can't do it.
If ye'd been anybody else, I cud ha' said ye got ye'r pay for all these
long, hard years in the love the childer bear ye. That's the pay folks get
for workin' an' livin' for others--but ye're not folks. Is't that ye're
the seventh son? Is't that ye've second sight? Is't that--_what_ is't that
makes ye so far away? An' what _is_ ye'r pay, Tim? Now that it's over and
the children all safe and grown up, ye look yerself like a child that's
done its lesson an' run out to play. Is't all just work or play with ye?
Can't ye niver just _live_?"
In truth her brother's eagerness to be away was scarcely concealed at all
from the grateful, wistful Irish eyes about him. He was breathless with
haste to be off. The long trip to New England was a never-ending nightmare
of delay to him, and although he had planned for years to walk up the
hill, his trembling old legs dragged in a slow progress maddening to his
impatience. A farmer, driving by, offered him a lift, which he accepted
gratefully, sitting strained far forward on the high seat. At a turn of
the road he looked back and saw that he had passed the cluster of pines
where Moira had laughed at him, and where he had felt so thick about him
the thronging rush of his newly awakened perceptions of the finer meaning
of things, the gay, sweet crowd of gentle little people.
He stopped the farmer and, leaping down from the high seat, he took his
pipes under his arm and fairly ran up the little path. His rheumatic knee
creaked a little, but the color came up hard in his tired old face as the
twilight of the pines and their pungent, welcoming breath fell about him.
He cast him down and buried his face in the rust-red dried needles. He did
not weep, but from time to time a long sigh heaved his shoulders. Then he
turned over and lay on his back, looking at the sunset-yellow sky through
the green, thick-clustered needles, noticing how the light made each one
glisten as though dipped in molten gold. His hand strayed out to his
pipes, lying beside him with mute, gaping mouths. "The Gold o' the
Glamour," he murmured to himself, and as he broke the silence with the old
tune faintly blown, he felt the wood peopled about him as of yore with
twilight forms. Unseen bright eyes gazed at him from behind tree-trunks,
and the branches were populous with invisible, kindly listeners. The very
hush was symbolic of the consciousness of the wood that he was there
again. There was none of the careless commonplace of rustling leaves, and
snapping twigs, and indifferent, fearless bird-song. In the death-like
still he felt life quivering and observant with a thousand innocent,
curious, welcoming eyes.
Public-domain text, read in full here on John Shaqi.
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