The view of the snowy range from this temple is one of the finest in Sikkim; the eye surveying at one glance the vegetation of the Tropics and the Poles. Deep in the valleys the river-beds are but 3000 feet above the sea, and are choked with fig-trees, plantains, and palms; to these succeed laurels and magnolias, and higher up still, oaks, chesnuts, birches, etc.; there is, however, no marked line between the limits of these two last forests, which form the prevailing arboreous vegetation between 4000 and 10,000 feet, and give a lurid line to the mountains. Pine forests succeed for 2000 feet higher, when they give place to a skirting of rhododendron and berberry. Among these appear black naked rocks, rising up in cliffs, between which are gulleys, down which the snow now (on the 1st January) descended to 12,000 feet. The mountain flanks are much more steep and rocky than those at similar heights on the outer ranges, and cataracts are very numerous, and of considerable height, though small in volume. Pemiongchi is at the same elevation as Dorjiling, and the contrast between the shoulders of 8000 to 10,000 feet on Kinchinjunga, and those of equal height on Tendong and Tonglo, is very remarkable: looking at the latter mountains from Dorjiling, the observer sees no rock, waterfall, or pine, throughout their whole height; whereas the equally wooded flanks of these inner ranges are rocky, streaked with thread-like waterfalls, and bristling with silver firs. This temple, the most ancient in Sikkim, is said to be 400 years old; it stands on a paved platform, and is of the same form and general character as those of Tassiding. Inside, it is most beautifully decorated, especially the beams, columns, capitals and architraves, but the designs are coarser than those of Tassiding.[105] The square end of every beam in the roof is ornamented either with a lotus flower or with a Tibetan character, in endless diversity of colour and form, and the walls are completely covered with allegorical paintings of Lamas and saints expounding or in contemplation, with glories round their heads, mitred, and holding the dole and jewel. [105] Mr. Hodgson informed me that many of the figures and emblems in this temple are those of Tantrica Boodhism, including Shiva, Devi, and other deities usually called Brahminical; Kakotak, or the snake king, a figure terminating below in a snake, is also seen; with the tiger, elephant, and curly-maned lion. [Illustration: Interior of the temple at Pemiongchi] The principal image is a large and hideous figure of Sakya-thoba, in a recess under a blue silk canopy, contrasting with a calm figure of the late Rajah, wearing a cap and coronet.