Himalayan Journals — Volume 1: Or, Notes of a Naturalist in Bengal, the Sikkim and Nepal Himalayas, the Khasia Mountains, etc.Hooker, Joseph Dalton
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Himalayan Journals — Volume 1: Or, Notes of a Naturalist in Bengal, the Sikkim and Nepal Himalayas, the Khasia Mountains, etc.
Hooker, Joseph Dalton
Himalaya Mountains -- Description and travel; Natural history -- Himalaya Mountains
On the left I passed a very curious isolated pillar of rock, amongst
the wild crags to the north-east, whose bases we skirted: it
resembles the Capuchin on the shoulder of Mont Blanc, as seen from
the Jardin. Evening overtook us while still on the snow near the last
ascent. As the sun declined, the snow at our feet reflected the most
exquisitely delicate peach-bloom hue; and looking west from the top
of the pass, the scenery was gorgeous beyond description, for the sun
was just plunging into a sea of mist, amongst some cirrhi and
stratus, all in a blaze of the ruddiest coppery hue. As it sank, the
Nepal, peaks to the right assumed more definite, darker, and gigantic
forms, and floods of light shot across the misty ocean, bathing the
landscape around me in the most wonderful and indescribable changing
tints. As the luminary was vanishing, the whole horizon glowed like
copper run from a smelting furnace, and when it had quite
disappeared, the little inequalities of the ragged edges of the mist
were lighted up and shone like a row of volcanos in the far distance.
I have never before or since seen anything, which for sublimity,
beauty, and marvellous effects, could compare with what I gazed on
that evening from Choonjerma pass. In some of Turner's pictures I
have recognized similar effects, caught and fixed by a marvellous
effort of genius; such are the fleeting hues over the ice, in his
"Whalers," and the ruddy fire in his "Wind, Steam, and Rain," which
one almost fears to touch. Dissolving views give some idea of the
magic creation and dispersion of the effects, but any combination of
science and art can no more recall the scene, than it can the
feelings of awe that crept over me, during the hour I spent in
solitude amongst these stupendous mountains.
The moon guided us on our descent, which was to the south, obliquely
into the Yalloong valley. I was very uneasy about the coolies, who
were far behind, and some of them had been frost-bitten in crossing
the Kambachen pass. Still I thought the best thing was to push on,
and light large fires at the first juniper we should reach.
The change, on passing from off the snow to the dark earth and rock,
was so bewildering, that I had great difficulty in picking my way.
Suddenly we came on a flat with a small tarn, whose waters gleamed
illusively in the pale moonlight: the opposite flanks of the valley
were so well reflected on its gloomy surface, that we were at once
brought to a stand-still on its banks: it looked like a chasm, and
whether to jump across it, or go down it, or along it, was the
question, so deceptive was the spectral landscape. Its true nature
was, however, soon discovered, and we proceeded round it, descending.
Of course there was no path, and after some perplexity amongst rocks
and ravines, we reached the upper limit of wood, and halted by some
bleached juniper-trees, which were soon converted into blazing fires.
Public-domain text, read in full here on John Shaqi.
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