Himalayan Journals — Volume 2: Or, Notes of a Naturalist in Bengal, the Sikkim and Nepal Himalayas, the Khasia Mountains, etc.Hooker, Joseph Dalton
History
Himalayan Journals — Volume 2: Or, Notes of a Naturalist in Bengal, the Sikkim and Nepal Himalayas, the Khasia Mountains, etc.
Hooker, Joseph Dalton
Himalaya Mountains -- Description and travel; Natural history -- Himalaya Mountains
The Munnipore emigrants are industrious settlers for a time, but
never remain long in one place: their religion is Hindoo, and they
keep up a considerable trade with their own country, whence they
import a large breed of buffalos, ponies, silks, and cotton cloths
dyed with arnotto (_Bixa_), and universally used for turbans.
They use bamboo blowing-tubes and arrows for shooting birds, make
excellent shields of rhinoceros hide (imported from Assam), and play
at hockey on horseback like the Western Tibetans. A fine black
varnish from the fruit of _Holigarna longifolia,_ is imported from
Munnipore, as is another made from _Sesuvium Anacardium_
(marking-nut), and a remarkable black pigment resembling that from
_Melanorhoea usitatissima,_ which is white when fresh, and requires
to be kept under water.* [This turns of a beautiful black colour when
applied to a surface, owing, according to Sir D. Brewster, to the
fresh varnish consisting of a congeries of minute organised
particles, which disperse the rays of light in all directions; the
organic structure is destroyed when the varnish dries and the rays of
light are consequently transmitted.]
One fine moonlight night we went to see a Munnipore dance. A large
circular area was thatched with plantain leaves, growing on their
trunks, which were stuck in the ground; and round the enclosure was a
border neatly cut from the white leaf-sheaths of the same tree.
A double enclosure of bamboo, similarly ornamented, left an inner
circle for the performers, and an outer for the spectators: the whole
was lighted with oil lamps and Chinese paper lanterns. The musicians
sat on one side, with cymbals, tomtoms, and flutes, and sang choruses.
The performances began by a copper-coloured Cupid entering and
calling the virgins with a flute; these appeared from a green-room,
to the number of thirty or forty, of all ages and sizes. Each had her
hair dressed in a topknot, and her head covered with a veil; a
scarlet petticoat loaded with tinsel concealed her naked feet, and
over this was a short red kirtle, and an enormous white shawl was
swathed round the body from the armpits to the waist. A broad belt
passed over the right shoulder and under the left arm, to which hung
gold and silver chains, corals, etc., with tinsel and small mirrors
sewed on everywhere: the arms and hands were bare, and decorated with
bangles and rings.
Many of the women were extremely tall, great stature being common
amongst the Munniporees. They commenced with a prostration to Cupid,
around whom they danced very slowly, with the arms stretched out, and
the hands in motion; at each step the free foot was swung backwards
and forwards. Cupid then chose a partner, and standing in the middle
went through the same motions, a compliment the women acknowledged by
curtseying and whirling round, making a sort of cheese with their
petticoats, which, however, were too heavy to inflate properly.
Public-domain text, read in full here on John Shaqi.
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