Hindoo Tales; Or, the Adventures of Ten PrincesDandin, active 7th century
General
Hindoo Tales; Or, the Adventures of Ten Princes
Dandin, active 7th century
Sanskrit literature -- Translations into English; Tales -- India
"When Ratnavati eloped under another name, she engaged a woman to
accompany her as a servant; and this woman one day having committed
some fault, was beaten by her master, who scolded her and told her she
was lazy, thievish, and impudent. Smarting under the punishment, she
determined to be revenged, and going to the magistrate told him: 'This
man, who seems to you so respectable, is a wicked wretch who has
abandoned his own wife, and run away in the night with the daughter of
one of his neighbours, with whom he is now living.'
"The magistrate having heard this, and being very covetous, thought:
'If this man is convicted, his property will be confiscated, and I
shall get a share of it.' He therefore began to take proceedings
against Balabhadra, who was greatly alarmed. But his wife said to him,
'Do not be frightened; put a good face on the matter, and say: "This
is not Kanakavati, the daughter of Niddhipatidatta; this is my own
lawful wife, the daughter of Grihagupta, who lives at Valabhi. She was
married to me with the proper ceremony and with the full consent of
her parents. This woman's accusation is altogether false; but if you
will not believe my assertion, send to Valabhi, to my wife's father,
and hear what he will say--or send to the town where I formerly lived,
and make inquiries there."'
"This was done, he was admitted to bail, and a letter was written to
the father of Ratnavati, who answered it in person, and declared that
the lady in question was really his daughter. Thus the matter was
settled; but the husband, thinking that the old man was deceived by
the likeness, held to his former belief, and continued to live happily
with his wife, without ever discovering the delusion. Therefore I say
that love is only imagination."
The Rakshas, though appearing to be satisfied with these stories,
required me to relate that of Nitambavati, which I proceeded to do.
"In a city called Madhura, there dwelt a man named Kalahakantaka, of
great strength and vigour, ready at any time to take up the quarrel of
a friend, famed for deeds of violence, and devoted to pleasures and
amusements.
"One day he saw a picture exhibited by a painter, a new-comer, and
stopped to look at it. It was the portrait of a lady so beautiful
that he fell in love with her at once. Desirous of finding out whom it
represented, he praised the picture exceedingly, and having put the
artist in good humour, got him to say who the lady was. 'Her name,'
said he, 'is Nitambavati; she is the wife of a merchant living at
Avanti or Oujein, and I was so struck by her beauty that I sought and
obtained permission to paint her portrait.'
"On hearing this, Kalahakantaka, taking another name, went to Oujein;
and there, having disguised himself as a mendicant, got admission to
the merchant's house, saw the lady, whose beauty exceeded even his
expectation, and was confirmed in his wicked purpose.
Public-domain text, read in full here on John Shaqi.
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