The interval between his abandonment of the world and his enlightenment is traditionally estimated at seven years and this accords with our other data. But we are not told how long he remained with his two teachers nor where they lived. He says however that after leaving them he wandered up and down the land of Magadha, so that their residence was probably in or near that district[317]. He settled at a place called Uruvelâ. "There" he says "I thought to myself, truly this is a pleasant spot and a beautiful forest. Clear flows the river and pleasant are the bathing places: all around are meadows and villages." Here he determined to devote himself to the severest forms of asceticism. The place is in the neighbourhood of Bodh-Gaya, near the river now called Phalgu or Lilañja but formerly Nerañjara. The fertile fields and gardens, the flights of steps and temples are modern additions but the trees and the river still give the sense of repose and inspiration which Gotama felt, an influence alike calming to the senses and stimulating to the mind. Buddhism, though in theory setting no value on the pleasures of the eye, is not in practice disdainful of beauty, as witness the many allusions to the Buddha's personal appearance, the persistent love of art, and the equally persistent love of nature which is found in such early poems as the Theragâthâ and still inspires those who select the sites of monasteries throughout the Buddhist world from Burma to Japan. The example of the Buddha, if we may believe the story, shows that he felt the importance of scenery and climate in the struggle before him and his followers still hold that a holy life is led most easily in beautiful and peaceful landscapes. 2 Hitherto we have found allusions to the events of the Buddha's life rather than consecutive statements and narratives but for the next period, comprising his struggle for enlightenment, its attainment and the commencement of his career as a teacher, we have several accounts, both discourses put into his own mouth and narratives in the third person like the beginning of the Mahâvagga. It evidently was felt that this was the most interesting and critical period of his life and for it, as for the period immediately preceding his death, the Pitakas provide the elements of a biography. The accounts vary as to the amount of detail and supernatural events which they contain, but though the simplest is perhaps the oldest, it does not follow that events consistent with it but only found in other versions are untrue. One cannot argue that anyone recounting his spiritual experiences is bound to give a biographically complete picture. He may recount only what is relevant to the purpose of his discourse.