Hinduism and Buddhism, An Historical Sketch, Vol. 1Eliot, Charles
Religion
Hinduism and Buddhism, An Historical Sketch, Vol. 1
Eliot, Charles
Asia -- Religion; Buddhism; Hinduism
Can this account be regarded as in any sense historical, as being not
perhaps the Buddha's own words but the reminiscences of some one who had
heard him describe the crisis of his life? Like so much of the Pitakas
the narrative has an air of patchwork. Many striking passages, such as
the descriptions of the raptures through which he passed, occur in other
connections but the formulæ are ancient and their use here may be as
early and legitimate as elsewhere. In its main outlines the account is
simple, unpretentious and human. Gotama seeks to obtain enlightenment by
self-mortification: finds that this is the wrong way: tries a more
natural method and succeeds: debates whether he shall become a teacher
and at first hesitates. These are not features which the average Indian
hagiographer, anxious to prove his hero omnipotent and omniscient, would
invent or emphasize. Towards the end of the narrative the language is
more majestic and the compiler introduces several stanzas, but though it
is hardly likely that Gotama would have used these stanzas in telling
his own story, they may be ancient and in substance authentic. The
supernatural intervention recorded is not really great. It amounts to
this, that in mental crises the Buddha received warnings somewhat
similar to those delivered by the dæmon of Socrates[328]. The appearance
of Brahmâ Sahampati is related with more detail and largely in verse,
which suggests that the compiler may have inserted some legend which he
found ready to hand, but on the whole I am inclined to believe that in
this narrative we have a tradition not separated from the Buddha by many
generations and going back to those who had themselves heard him
describe his wrestling to obtain the Truth and his victory.
Public-domain text, read in full here on John Shaqi.
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