There is much that is human in these passages yet we should be making a fancy portrait did we allow ourselves to emphasize them too much and neglect the general tone of the Pitakas. These scriptures are the product of a school; but that school grew up under the Buddha's personal influence and more than that is rooted in the very influences and tendencies which produced the Buddha himself. The passionless, intellectual aloofness; the elemental simplicity with which the facts of life are stated and explained without any concession to sentiment, the rigour of the prescription for salvation, that all sensual desire and attachment must be cut off, are too marked and consistent for us to suppose them due merely to monkish inability to understand the more human side of his character. The Buddha began his career as an Indian Muni, one supposed to be free from all emotions and intent only on seeking deliverance from every tie connecting him with the world. This was expected of him and had he done no more it would have secured him universal respect. The fact that he did a great deal more, that he devoted his life to active preaching, that he offered to all happiness and escape from sorrow, that he personally aided with advice and encouragement all who came to him, caused both his contemporaries and future generations to regard him as a saviour. His character and the substance of his teaching were admirably suited to the needs of the religious world of India in his day. Judged by the needs of other temperaments, which are entitled to neither more nor less consideration, they seem too severe, too philosophic and the later varieties of Buddhism have endeavoured to make them congenial to less strenuous natures. Before leaving the personality of the Buddha, we must say a word about the more legendary portions of his biography, for though of little importance for history they have furnished the chief subjects of Buddhist art and influenced the minds of his followers as much as or more than the authentic incidents of his career[393]. The later legend has not distorted the old narrative. It is possible that all its incidents may be founded on stories known to the compilers of the Pitakas, though this is not at present demonstrable, but they are embellished by an unstinted use of the supernatural and of the hyperbole usual in Indian poetry. The youthful Buddha moves through showers of flowers and an atmosphere crowded with attendant deities. He cannot even go to school without an escort of ten thousand children and a hundred thousand maidens and astonishes the good man who proposes to teach him the alphabet by suggesting sixty-four systems of writing.