This story implies that he was ready to sanction any form of reputable worship with a slight bias towards Vishnuism.[517] At the present day the Smârtas, who consider themselves his followers, have a preference for the worship of Śiva. But the basis of their faith is not Śivaism but the recognition of the great body of Indian traditions known as Sṃriti. And that, next to Vedântism, was the essence of Śaṅkara's teaching: he wished to regard tradition as a coherent whole, based on the eternal Veda but including authoritative Sṃriti to be interpreted in the light of the Veda, and thus he hoped to correct extravagant and partial views and to lead to those heights whence it is seen that all is one, "without difference." The results of Śaṅkara's labours may still be seen in the organization of southern Hinduism which is more complete than in the north. It is even said that the head of the Śringeri monastery in Mysore exercises an authority over Smârta Brahmans similar to that of the Pope.[518] This is probably an exaggeration but his decision is accepted as settling caste disputes, and even to-day the Śringeri maṭh[519] is one of the most important religious institutions in India. The abbot, who is known as Jagadguru, is head of the Smârta Brahmans. The present occupant is said to be thirty-third in succession from Śaṅkara and numbers among his predecessors Sâyanâcârya, the celebrated Vedic commentator who lived in the fourteenth century. The continued prosperity of this establishment and of other religious corporations in the Dravidian country, whereas the Mohammedans destroyed all monasteries whether Hindu or Buddhist in the north, is one of the reasons for certain differences in northern and southern Hinduism. For instance in northern India any Brahman, whatever his avocation may be, is allowed to perform religious ceremonies, whereas in the Deccan and south India Brahmans are divided into Laukikas or secular and Bhikshus or religious. The latter are householders, the name having lost its monastic sense, but they have the exclusive right of officiating and acting as Gurus and thus form a married clergy. It is possible that the influence of Śaṅkara may have had a puritanical side which partly accounts for the degeneration of later Indian art. His higher teaching inculcated a spiritual creed which needed no shrines, while for those who required rites he recommended the old Brahmanic ritual rather than the modern temple cultus. The result of this may have been that piety and learning were diverted from art, so that architecture and sculpture ceased to be in touch with the best religious intelligence.