Hinduism and Buddhism, An Historical Sketch, Vol. 2Eliot, Charles
Religion
Hinduism and Buddhism, An Historical Sketch, Vol. 2
Eliot, Charles
Asia -- Religion; Buddhism; Hinduism
"The paradox that has to be understood is that Kṛishṇa means God.
Yet he is represented as a youth, standing at a gate, trying to waylay
the beloved maiden, attempting to entrap the soul, as it were, into a
clandestine meeting. This, which is so inconceivable to a purely
modern mind, presents no difficulty at all to the Vaishṇava devotee.
To him God is the lover himself: the sweet flowers, the fresh grass,
the gay sound heard in the woods are direct messages and tokens of
love to his soul, bringing to his mind at every instant that loving
God whom he pictures as ever anxious to win the human heart."[634]
Caitanya[635] was born at Nadia in 1485 and came under the influence
of the Mâdhva sect. In youth he was a prodigy of learning,[636] but at
the age of about seventeen while on a pilgrimage to Gaya began to
display that emotional and even hysterical religious feeling which
marked all his teaching. He swooned at the mention of Kṛishṇa's name
and passed his time in dancing and singing hymns. At twenty-five he
became a Sannyâsî, and at the request of his mother, who did not wish
him to wander too far, settled in Puri near the temple of Jagannath.
Here he spent the rest of his life in preaching, worship and ecstatic
meditation, but found time to make a tour in southern India and
another to Brindaban and Benares. He appears to have left the
management of his sect largely to his disciples, Advaita, Nityânanda
and Haridas, and to have written nothing himself. But he evidently
possessed a gift of religious magnetism and exercised an extraordinary
influence on those who heard him preach or sing. He died or
disappeared before the age of fifty but apparently none of the stories
about his end merit credence.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account