Śiva became generally recognized as the supreme deity, in a comprehensive but not an exclusive sense. He is the universal spirit from whom emanate Brahmâ and Vishṇu. His character as the Destroyer is not much emphasized: he is the God of change, and therefore of reproduction, whose symbol is the Linga. It is remarkable to find that a pantheistic form of Śivaism is clearly enunciated in one of the earliest inscriptions[277]. Śiva is there styled Vibhu, the omnipresent, Paramvrahmâ ( = Brahmâ), Jagatpati, Paśupati. An inscription found at Angkor[278] mentions an Acârya of the Pâśupatas as well as an Acârya of the Śaivas and Chou Ta-kuan seems to allude to the worshippers of Paśupati under the name of Pa-ssŭ-wei. It would therefore appear that the Pâśupatas existed in Camboja as a distinct sect and there are some indications[279] that ideas which prevailed among the Lingayats also found their way thither. The most interesting and original aspect of Cambojan religion is its connection with the state and the worship of deities somehow identified with the king or with prominent personages[280]. These features are also found in Champa and Java. In all these countries it was usual that when a king founded a temple, the god worshipped in it should be called by his name or by something like it. Thus when Bhadravarman dedicated a temple to Śiva, the god was styled Bhadreśvara. More than this, when a king or any distinguished person died, he was commemorated by a statue which reproduced his features but represented him with the attributes of his favourite god. Thus Indravarman and Yaśovarman dedicated at Bakô and Lolei shrines in which deceased members of the royal family were commemorated in the form of images of Śiva and Devî bearing names similar to their own. Another form of apotheosis was to describe a king by a posthumous title, indicating that he had gone to the heaven of his divine patron such as Paramavishṇuloka or Buddhaloka. The temple of Bayon was a truly national fane, almost a Westminster abbey, in whose many shrines all the gods and great men of the country were commemorated. The French archæologists recognize four classes of these shrines dedicated respectively to (_a_) Indian deities, mostly special forms of Śiva, Devî and Vishṇu; (_b_) Mahayanist Buddhas, especially Buddhas of healing, who were regarded as the patron saints of various towns and mountains; (_c_) similar local deities apparently of Cambojan origin and perhaps corresponding to the God of the City worshipped in every Chinese town; (_d_) deified kings and notables, who appear to have been represented in two forms, the human and divine, bearing slightly different names. Thus one inscription speaks of Śrî Mahendreśvarî who is the divine form (vraḥ rûpa) of the lady Śrî Mahendralakshmî.