The list of such resemblances might be made longer and the explanation that Indian ideas reached China sporadically, at least as early as the fourth century B.C., seems natural. I should accept it, if there were any historical evidence besides these literary parallels. But there seems to be none and it may be justly urged that the roots of this quietism lie so deep in the Chinese character, that the plant cannot have sprung from some chance wind-wafted seed. That character has two sides, one seen in the Chinese Empire and the classical philosophy, excellent as ethics but somewhat stiff and formal: the other in revolutions and rebellions, in the free life of hermits and wanderers, in poetry and painting. This second side is very like the temper of Indian Buddhism and easily amalgamated with it[607], but it has a special note of its own. The curiosity of Ming-Ti did not lead to any immediate triumph of Buddhism. We read that he was zealous in honouring Confucius but not that he showed devotion to the new faith. Indeed it is possible that his interest was political rather than religious. Buddhism was also discredited by its first convert, the Emperor's brother Chu-Ying, who rebelled unsuccessfully and committed suicide. Still it flourished in a quiet way and the two foreign monks in the White Horse Monastery began that long series of translations which assumed gigantic proportions in the following centuries. To Kâśyapa is ascribed a collection of extracts known as the Sûtra of forty-two sections which is still popular[608]. This little work adheres closely to the teaching of the Pali Tripitaka and shows hardly any traces of the Mahâyâna. According to the Chinese annals the chief doctrines preached by the first Buddhist missionaries were the sanctity of all animal life, metempsychosis, meditation, asceticism and Karma.