In the preceding pages mention has often been made not only of Brahmanic rites but of Brahman priests[233]. These are still to be found in Bangkok attached to the Court and possibly in other cities. They dress in white and have preserved many Hindu usages but are said to be poor Sanskrit scholars. Indeed Gerini[234] seems to say that they use Pali in some of their recitations. Their principal duty is to officiate at Court functions, but wealthy families invite them to take part in domestic rites, and also to cast horoscopes and fix lucky days. It is clear that the presence of these Brahmans is no innovation. Brahmanism must have been strong in Siam when it was a province of Camboja, but in both countries gave way before Buddhism. Many rites, however, connected with securing luck or predicting the future were too firmly established to be abolished, and, as Buddhist monks were unwilling to perform them[235] or not thought very competent, the Brahmans remained and were perhaps reinforced from time to time by new importations, for there are still Brahman colonies in Ligor and other Malay towns. Siamese lawbooks, like those of Burma, seem to be mainly adaptations of Indian Dharmaśâstras. On a cursory inspection, Siamese Buddhism, especially as seen in villages, seems remarkably free from alien additions. But an examination of ancient buildings, of royal temples in Bangkok and royal ceremonial, suggests on the contrary that it is a mixed faith in which the Brahmanic element is strong. Yet though this element appeals to the superstition of the Siamese and their love of pageantry, I think that as in Burma it has not invaded the sphere of religion and ethics more than the Piṭakas themselves allow. In art and literature its influence has been considerable. The story of the Ramayana is illustrated on the cloister walls of the royal temple at Bangkok and Indian mythology has supplied a multitude of types to the painter and sculptor; such as Yŏmma: ràt (Yâma), Phăya Man (Mâra), Phra: In (Indra). These are all deities known to the Piṭakas but the sculptures or images[236] in Siamese temples also include Ganeśa, Phra: Nărai (Nârâyana or Vishṇu) riding on the Garuda and Phra: Isuén (Śiva) riding on a bull. There is a legend that the Buddha and Śiva tried which could make himself invisible to the other. At last the Buddha sat on Śiva's head and the god being unable to see him acknowledged his defeat. This story is told to explain a small figure which Śiva bears on his head and recalls the legend found in the Piṭakas[237] that the Buddha made himself invisible to Brahmâ but that Brahmâ had not the corresponding power. Lingas are still venerated in a few temples, for instance at Wăt Phô in Bangkok, but it would appear that the majority (_e.g._ those found at Pra Pratom and Lophburi) are survivals of ancient Brahmanic worship and have a purely antiquarian importance. The Brahmanic cosmology which makes Mt. Meru the centre of this Universe is