“The Khanum Effendi want kill us,” said Um Yusuf, angry and alarmed.
“You got pistol, mademoiselle? knife? dagger?”
“Only a penknife,” said Cecil, wearily. “What does it signify, Um
Yusuf? I don’t believe they mean to kill us, and if they did, a
penknife wouldn’t prevent them.”
But Um Yusuf was not to be silenced. She instituted a methodical
search for arms, and was successful in discovering two table-knives
which had been brought from Baghdad for Cecil’s use. The shape and
size of these made them difficult to carry about the person, but she
concealed them with great care among the cushions of the divan, and
felt happier. At night her fears revived, and she dragged her bed into
her mistress’s room, and insisted on closing the window and
barricading the door with every movable thing she could find, and this
state of siege she maintained with unflagging perseverance. The two
agas took no notice, and seemed to feel little interest in anything
their prisoners did. If their intentions were evil, they feared Um
Yusuf’s precautions too much to put them into execution, and thus days
and weeks slipped by without alarm.
To Cecil the time was one of rest, so much needed as to be almost
welcome. She made little or no attempt to occupy herself with books or
work, but sat on the house-top gazing at the mountains and the sky,
and seldom speaking. Um Yusuf became very uneasy about her, fearing
this quiet acquiescence in her grief almost more than the feverish
excitement of the days before the departure of Azim Bey and the rest.
It seemed to her that her mistress needed rousing and taking out of
herself, and she honestly did her best to effect this, according to
her lights. She encouraged her to sketch, tried in vain to induce her
to study, and even gave herself the trouble of fashioning a
draught-board and set of men, with the aid of one of the precious
table-knives, so that she might invite her to play.
“Why you not write your memoirs, mademoiselle?” she said more than
once. “The Khanum Effendi’s governess, in Tahir Pasha’s house, she
always write when she was alone, say she get great deal of money some
day. She put in all that everybody say, and all the things she not
like.”
“My experiences are not interesting enough,” Cecil would say,
patiently, for she knew that Um Yusuf teased her from the best
possible motives. “I couldn’t write about the things I have really
felt, and who cares nowadays for descriptions of ruins and deserts?
When I am dead, Fitz and Eily and the rest can publish my letters for
their grandchildren’s benefit, if they like, but I won’t do it.”
Public-domain text, read in full here on John Shaqi.
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