“It is commanded thee to put on these clothes, O my mistress,” she
said in Arabic, dumping down the bundle before Cecil, and retiring
forthwith.
Much mystified, Cecil helped Um Yusuf to undo the bundle, and drew out
of it one of the long loose gowns with square-cut neck and wide
hanging sleeves, worn by Turkish ladies of the old school. It was of
blue silk interwoven with silver threads, and to wear with it there
was a vest or chemisette of delicate straw-coloured gauze, and a round
velvet cap decorated with silver coins. The two women gazed at one
another in astonishment as they unfolded the garments and smoothed
them out.
“What does it mean, Um Yusuf?” asked Cecil, almost in a whisper.
“It look to me like wedding-dress, mademoiselle,” responded Um Yusuf,
in the same awed tones. “Perhaps you going to be married.”
“That is absurd, Um Yusuf,” said Cecil, with unusual sharpness. “But I
won’t put it on, at any rate.”
Presently the negress returned, and after a glance of surprise at the
neglected finery, informed Cecil that the great ladies commanded her
attendance.
“What ladies?” asked Cecil.
To her amazement the woman replied--
“The Um-ul-Pasha and the Kitchuk Khanum Effendi.” This was Jamileh
Khanum’s official title.
Cecil’s spirits rose with a bound. Here, at any rate, were foemen
worthy of her steel, which was certainly not the case with the agas,
who could only answer, “Khanum Effendi’s orders,” to all
remonstrances, and she sprang up to follow the negress with keen
anticipations of a coming struggle.
“Perhaps they are come to Mosul for Azim Bey’s wedding with Safieh
Khanum,” she whispered to Um Yusuf; but the good woman shook her head
in perplexity.
“Azim Bey not to be married until he seventeen,” she began, but just
then their guide drew back a curtain and ushered them into the
presence of the great ladies. Cecil had made up her mind what to do.
The moment she observed that neither of the ladies made any reply or
return to her salaam and salutation, she sat down at once without
waiting to be invited, regardless of the contrast afforded by her
travel-stained blue wrapper and yellow slippers to the wadded and
fur-trimmed pelisse and trousers of green satin which formed the
winter dress of the Um-ul-Pasha, or to Jamileh Khanum’s Parisian
morning-robe of petunia velvet, with its front of costly lace. The
ladies sat at the upper end of the room, facing her, the Um-ul-Pasha
in the seat of honour in the corner of the divan, her daughter-in-law
beside her. At a respectful distance sat Mdlle. Katrina, palpitating
with eagerness. To this excellent woman conspiracy was the very breath
of life. She would have plotted against herself cheerfully if she
could by any means have imported sufficient mystery into the
proceedings, and she had been the Um-ul-Pasha’s go-between with the
outer world throughout her long series of plots. At her mistress’s
command she now set to work to interpret her words to Cecil without
further parley.
Public-domain text, read in full here on John Shaqi.
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