His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
Clorinde, having now become all-powerful at home, had decided to bring
her mother back from Turin. She intended, she said, that Countess Balbi
should henceforth spend six months of each year with her. She seemed
to be suddenly overwhelmed by an outburst of filial affection. She
threw a whole floor of the house into confusion so as so instal the
old lady as near as possible to her own apartments. She even provided
a door of communication between her dressing-room and her mother's
bedchamber. In Rougon's presence especially she made an excessive
parade of her affection, indulging in the most exaggerated Italian
expressions of endearment. How had she ever been able, she wondered,
to resign herself to such a long separation from her mother, she who,
before her marriage, had never left her for an hour? She accused
herself of want of heart. But it was not her fault, she protested; she
had been forced to yield to other people's advice, to give way before
pretended necessities, in which even now she could see no force. Rougon
remained quite unmoved by this rebellion. He had altogether ceased
to lecture her, and no longer attempted to make her one of the most
distinguished women in Paris. In former times she had filled up a gap
in his life, but now that he was in the forefront of the battle with
fourteen hours' work to get through every day, he gave little thought
to love and passion. Nevertheless, he continued to treat her with an
air of affection, mingled with that kind of contempt which he usually
manifested for women. He came to see her from time to time, and then
his eyes would occasionally gleam as in the days of old. She was still
his one weakness; the one woman who perturbed him.
Since Rougon had gone to live at the official residence of the Minister
of the Interior where his friends complained that they could no longer
see him in intimate fashion, Clorinde had thought of receiving the band
at her own house, and it had gradually become a custom for the others
to go there. To mark more plainly the fact that these receptions took
the place of those in the Rue Marbeuf, she fixed the same evenings
as Rougon had chosen, namely Sundays and Thursdays. There was this
difference, however, that in the Rue du Colisée the guests remained
till one o'clock in the morning. Clorinde received them in her boudoir,
as Delestang still kept the keys of the big drawing-room for fear of
it being damaged by grease-spots. And as the boudoir was a very small
apartment, Clorinde left the doors of her dressing-room and bedroom
open; so that, very frequently, the friends were to be found crowding
together in the sleeping-chamber amid a litter of feminine finery.
Public-domain text, read in full here on John Shaqi.
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