His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
However, Clorinde at last raised herself up from her pillows, and,
bending towards Pozzo, she blew into his neck, laughing loudly as she
did so, as though thrilled with some wild impulse of merriment. When
she felt pleased she often gave way to some such outburst of childish
gaiety. Pozzo, whose hand seemed to have gone to sleep on his guitar,
threw back his picturesque Italian head and showed his white teeth when
he was thus roused, but Clorinde went on laughing and blowing with such
force that at last he begged for mercy. Then, when she had scolded him
in Italian, she turned towards Madame Correur. 'He must sing to us,
mustn't he?' she said. 'If he will sing I won't blow any more. He has
composed a very pretty song. You will like it.'
They all asked to hear the song, and Pozzo began to finger his guitar
again. Then he sang, keeping his eyes fixed upon Clorinde all the time.
The song was like a passionate murmur accompanied by short soft notes.
The tremulous Italian words could not be distinguished; however, at
the last couplet, which seemed to be expressive of the pains of love,
Pozzo, while assuming a very mournful tone, began to smile with an
expression of mingled joy and despair. When he finished, his audience
enthusiastically applauded him. Why didn't he publish those charming
songs of his? they asked. Surely his position in the diplomatic service
could be no impediment.
'I once knew a captain who brought out a comic opera,' said Colonel
Jobelin; 'and nobody in the regiment thought any the worse of him for
it.'
'Ah, but in the diplomatic service----' murmured Madame Correur,
shaking her head.
'Oh, I think you are wrong there,' remarked M. Kahn. 'Diplomatists are
like other men, and many of them cultivate the social arts.'
However, Clorinde touched Pozzo lightly with her foot and whispered
something to him, and thereupon the young man rose, laid his guitar
on a heap of clothes, and left the room. When he returned, some five
minutes afterwards, he was followed by Antonia, carrying a tray on
which were a water-bottle and some glasses. Pozzo himself held a
sugar-basin for which there was no room on the tray. Nothing stronger
than sugared water was ever drunk at Clorinde's receptions, and her
friends knew that she was well pleased if they simply took the water by
itself.
'Hallo! what's that?' she suddenly exclaimed, turning towards the
dressing-room, where a door could be heard creaking. Then, as though
remembering, she added: 'Oh, it's my mother! She's been in bed.'
It was, indeed, Countess Balbi; who made her appearance in a black
woollen dressing-gown, with a piece of lace tied round her head.
Flaminio, the big footman with the long beard and brigand's face, was
supporting her from behind, almost carrying her, in fact, in his arms.
However, she did not appear to have aged, her pale face still smiled
with the smile of one who had been a queen of beauty.
Public-domain text, read in full here on John Shaqi.
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