His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
Rougon bowed. He did not even think of smiling at the old lady's pious
fibs. She and her husband once more stood before him proud and haughty
and disdainful, as in the old days when he had prowled about Plassans
pinched with hunger. If anyone else had used such language to him, he
would certainly have had them turned out by the lackeys. But now he
felt wounded, distressed, shrunken as it were. He again thought of his
youth of sordid poverty, and for a moment could almost have fancied
that he was wearing his old worn-down shoes once more. However, he
promised that he would use his influence with Jules to make him conform
with his parents' wishes; and then alluding to the reply which he was
awaiting from the Emperor he just added: 'It is quite possible, madame,
that your son will be restored to you this very evening.'
When he was alone again, Rougon felt a thrill of fear. That old couple
had succeeded in disturbing his hitherto unruffled placidity. He now
hesitated about going to the bazaar where all eyes would read his
perturbation on his face. He felt ashamed, however, of this childish
fear, and so passed through his study on his way out. Then he asked
Merle if anything had come for him.
'No, your excellency,' respectfully replied the usher, who had been on
the look-out all the morning.
The Orangery in the Tuileries Gardens, where the bazaar was being
held, had been sumptuously decorated for the occasion. Crimson velvet
hangings with fringes of gold concealed the walls, and transformed
the huge bare gallery into a lofty gala hall. Towards one end on the
left, large curtains, also of crimson velvet, were stretched across
the gallery, cutting off a portion of it. They were, however, looped
up with bands ornamented with huge golden tassels so as to afford
free communication between the chief section of the hall, where the
stalls were ranged on either side, and the smaller division where a
refreshment counter had been fitted up. The floor was strewn with fine
sand; and in each corner stood majolica pots containing rare plants.
In the middle of the square space formed by the stalls there was a low
circular settee upholstered in velvet and with a very sloping back;
and from the centre of it a huge column of flowers shot up, a sheaf
of stems amongst which drooped roses, carnations, and verbenas, like
a shower of dazzling drops. On the terrace overlooking the Seine, in
front of the folding glass-doors, which had been thrown wide open, some
grave-looking ushers in black dress coats glanced at the cards of the
_invités_ as they arrived.
Public-domain text, read in full here on John Shaqi.
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