His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
Then she jumped lightly from the table, ran up to Rougon, and gave
him both her hands. Assuming her most winning look, she expressed her
regret that he had not found her alone. What a lot of trouble she had
had to get all those people to go! Some people couldn't understand
anything! What a goose La Rouquette was with his sugars! Now, however,
there was no one to disturb them, and they could talk. She had led
Rougon to a couch as she was speaking, and he had sat down without
releasing her hands, when Luigi began to tap his easel with his
maul-stick, exclaiming in a tone of irritation: 'Clorinde! Clorinde!'
'Oh yes, of course, the portrait,' she cried, with a laugh.
Then she made her escape from Rougon, and bent down behind the artist
with a soft caressing expression. How pretty his work looked, she
cried. It was very good indeed; but, really, she felt rather tired
and would much like a quarter of an hour's rest. He could go on with
the dress in the meantime. There was no occasion for her to pose for
the dress. Luigi, however, cast fiery glances at Rougon, and muttered
disagreeable words. Thereupon Clorinde hastily said something to him
in Italian, knitting her brows the while, though still continuing to
smile. This reduced Luigi to silence, and he began to pass his brush
over the canvas again.
'It's quite true what I say,' declared the girl as she came back and
sat down beside Rougon; 'my left leg is quite numb.'
Then she slapped herself to make the blood circulate, she explained;
and she was bending towards Rougon, her bare shoulder touching his
coat, when she suddenly looked at herself and blushed deeply. And
forthwith she sprang up and fetched a piece of black lace which she
wrapped around her.
'I feel chilly,' she said, when she had wheeled an easy chair in front
of Rougon and sat down in it.
Nothing but her bare wrists now peeped out from beneath her lace
wrapper, which she had knotted round her neck. Her bust was completely
concealed in its folds, and her face had turned pale and grave.
'Well, what is it that has happened to you?' she exclaimed. 'Tell me
all about it.'
Public-domain text, read in full here on John Shaqi.
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