His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
Then he clapped his hands together, laughing loudly, and turning what
he had said into a joke. Finally he braced himself to his full height
and looked as though he were crushing stones with his clenched fists.
Clorinde gazed at him admiringly.
'I was nothing; I shall now be whatever I like,' he continued, as
though he were speaking to himself and had forgotten the presence of
others. 'I am a power. Those other fellows make me shrug my shoulders
when they prate of their devotion to the Empire! Do they really care
for it? Do they appreciate it? Wouldn't they conform to all kinds of
governments? For my own part, I have grown up with the Empire! I have
made it, and it has made me! I was named a Chevalier of the Legion
of Honour after the tenth of December, an officer in January 1851, a
commander on the fifteenth of August 1854, and a grand officer three
months ago. Under the Presidency, I was entrusted for a short time with
the portfolio of Public Works; later on the Emperor gave me a mission
to England, and since then I have entered the Council of State and the
Senate----'
'And, to-morrow, what will you enter?' Clorinde interrupted with a
laugh, by which she tried to conceal her ardent curiosity.
He stopped short and looked at her. 'You are very inquisitive,
Mademoiselle Machiavelli,' he said.
Then Clorinde began to swing her legs more briskly, and there was an
interval of silence. Rougon, seeing her absorbed in a fresh reverie,
thought that a favourable moment had come for extorting a confession
from her. 'Women----' he began.
But in a low tone she interrupted him, smiling at her own thoughts,
with a vague expression in her eyes: 'Oh, women are quite different!'
This was all the confession she made. She finished her bread and butter
and drained her glass of water. Then she leapt to her feet on the
table, with a spring that testified to her adroitness as a horsewoman.
'Now, Luigi!' she cried.
For the last few minutes the artist, who had left his seat, had been
impatiently gnawing his moustache while irritably walking up and down
in front of Rougon and Clorinde. With a sigh, he now sat down again and
took up his palette. The three minutes' grace which Clorinde had asked
for had expanded into a quarter of an hour. Now, however, she was again
standing on the table, still enveloped in her black lace. When she had
set herself in the proper attitude, she uncovered herself with a light
movement of the hand, and became a marble statue once more.
Fewer carriages were now rolling along the Champs Élysées, over which
the declining sun cast a stream of hazy light, enveloping the trees in
a ruddy haze that might almost have been taken for a coating of dust
stirred up by the passing vehicles. Clorinde's shoulders gleamed as
with sheeny gold in the light that fell through the lofty windows. The
sky gradually became greyer.
'Is Monsieur de Marsy's intended marriage with the Wallachian princess
settled yet?' asked the girl.
Public-domain text, read in full here on John Shaqi.
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