Madame Correur, frightened at the thought of such a thing, tried to stop him, but he would dwell on the subject, remarking that iron bridges were never safe. He even asserted that he could see the platform oscillating when the two carriages were but half-way across. What a splash, he continued; if papa and mamma and baby went down they would get such a drink as would keep them from ever wanting another! The carriages, however, rolled softly and silently over the bridge, and the frame-work of the gently-curving arch was so light that they looked almost as though suspended in space over the river, in whose blue depths they were reflected like strange gold-fishes, carried up by the flow of the tide. The Emperor and Empress, feeling a little tired, leaned back against the buttoned satin, glad to escape the crowd for a moment and the necessity of bowing to it. The Governess, too, took advantage of the stretch of empty space to raise the little prince, who was slipping from her knees, while the nurse, leaning forward, amused him with a smile. The whole procession was steeped in bright sunshine. The uniforms, the gay gowns, and the horse-trappings shone out brilliantly, while the sparkling planet-like coaches cast tremulous beams of reflected sunlight along the fronts of the dingy houses on the Quai Napoléon. In the distance, above the bridge, the colossal advertisement of the giant grey overcoat, painted on the wall of a six-storeyed house, and now illumined with radiant splendour by the sun, formed a sort of background to the magnificent picture. Gilquin noticed the overcoat just as it towered above the two carriages. 'Look!' he cried, 'there's the uncle[7] over yonder!'