His Excellency [Son Exc. Eugène Rougon]Zola, Émile
History
His Excellency [Son Exc. Eugène Rougon]
Zola, Émile
France -- History -- Second Empire, 1852-1870 -- Fiction
The brougham, after rolling along the Rue de la Cité, had now been
stopped at the end of the Pont Notre Dame by a regiment which was
marching back to its quarters. It was one of the line. The soldiers,
all of them little fellows, were hastening on like sheep, their march
being somewhat irregular by reason of the trees planted along the
roadside. They had been keeping the line for the procession; their
faces were scorched by the hot afternoon sun; their feet were white
with dust; and their backs bent beneath the weight of their knapsacks
and rifles. And they had felt so bored amid the jostling of the crowd
that they still looked dazed and stupid.
'I adore the French army,' said Clorinde enthusiastically, as she leant
forward to get a better view.
Rougon roused himself, and in his turn looked out of the window. It was
the power of the Empire that was passing through the dust. A great many
carriages had now gathered together on the bridge, but the coachmen
respectfully waited for the soldiers to pass, and distinguished
personages in gala costumes smiled sympathisingly at the little fellows
who were so stupefied by their long day's work.
'Do you see those in the rear?' exclaimed Clorinde. 'There's a whole
row of them without a hair on their faces. How nice they look!'
Then, in her enthusiasm, she began to kiss her hands to the little
soldiers from the depths of the brougham. She lay back a little so that
she might not be seen. Rougon smiled in a paternal manner. He, too, had
just felt a thrill of pleasure, the first he had known during the whole
day.
'What's going on here?' he exclaimed, when the brougham was at last
able to turn the corner of the quay.
A considerable crowd had formed on the footway and in the road, and the
brougham had to stop again. A voice in the throng was heard saying:
'It's a drunken man who has insulted the soldiers. The police have just
taken him into custody.'
Then, as the crowd parted, Rougon caught sight of Gilquin, dead-drunk,
and held by a couple of policemen. His yellow duck clothes were torn,
and his naked flesh showed through the rents. But he still retained his
garrulous joviality and scarlet face. He addressed the policemen in the
most familiar fashion, calling them his little lambs. He told them that
he had been quietly spending the afternoon in a neighbouring café with
some very rich people, and referred them for inquiries to the Palais
Royal theatre, where M. and Madame Charbonnel, who had gone to see _Les
Dragées du Baptême_, would readily confirm his statement.
'Come, let me go, you jokers!' he cried, suddenly stiffening himself.
'Confound it all, the café's close at hand; come with me there, if you
don't believe me. The soldiers insulted me. There was a little scamp
who laughed at me, and I shut him up. But for me to insult the French
army! Never! Just you mention the name of Théodore to the Emperor and
hear what he says. Ah! you're a nice set, you are!'
Public-domain text, read in full here on John Shaqi.
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