Adventure stories; Inheritance and succession -- Fiction; Mines and mineral resources -- Fiction; Mystery fiction; Theater -- Fiction
Brainard had chosen the site, which was removed from the theater district
but quite accessible—in fact, not far from the side street where he had
once lodged. As the result of a large search he had discovered an
architect who would devote himself to making a useful and suitable
building instead of exploiting his patron’s purse, and together they had
worked over the plans until a satisfactory theater of modest proportions
was evolved. It was decided to postpone the starting of the Actors’
College until the general scheme had established itself. Almost all the
other features of Brainard’s model playhouse for the people were included
in the plans.
The site bought and the plans finished, Brainard thought that his
difficulties in regard to the building were over, but in fact they had
not yet begun. There was one strike after another upon the building from
the excavation up, with an annoying regularity and persistence. They
were usually ended by a compromise, which consisted in Brainard’s paying
a contractor a slight increase in contract price, to “square” some union
or labor leader. MacNaughton, whose imagination was much given to plots
and dire machinations of the enemy, held that these labor troubles
emanated from the offices of Einstein & Flukeheimer in upper Broadway.
Farson and Brainard tried to convince him of the folly of this delusion,
telling him that the noted managers probably had enough troubles of their
own to keep them busy, and indeed would doubtless be glad to give the
People’s Theater one of their own empty playhouses for a reasonable
consideration if Brainard would take it off their hands. But they could
not convince the Scotsman, who would go to Brainard’s house at all hours
with mysterious information about the plot, which had to be confided in
deep whispers. He had thought it all out in his own mind and believed
that their hated rivals were working through the powerful agency of the
Catholic Church. He said that was their favorite weapon when they wished
to put any rival out of business or ruin a promising star, who had
refused to listen to their offers.
Public-domain text, read in full here on John Shaqi.
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