Adventure stories; Inheritance and succession -- Fiction; Mines and mineral resources -- Fiction; Mystery fiction; Theater -- Fiction
At the moment of Brainard’s arrival this morning, little Margaret Leroy,
who, for the lack of a better actress, was their present leading lady,
was languidly reciting Cordelia’s lines:
No blown ambition doth our arms incite,
But love, dear love, and our aged father’s rights,
In a few moments a voice with a beery tang boomed forth heavily into the
dusky auditorium:
Aye, every inch a king;
When I do stare, see how the subject quakes!
At this point Brainard had his first misgivings. Perhaps, with their
present company, _Lear_ was overambitious. It gave him a pang to realize
that the faded little Leroy, with her childish blond wig, was the best
actress they could secure. She had had a quarrel with her manager at the
opening of the season, because he wanted to send her to Omaha, in
somebody else’s last season’s success, and had accepted the offer of the
People’s Theater in a fit of pique, and with obvious reluctance.
“It queers one so with the profession,” she had told Farson
confidentially.
She had insisted upon bringing along with her that ancient idol of the
matinée, Dudley Warner. He was doing _Lear_ in the style of _Beau
Brummel_, in which he had made his last tour on the road.
As Brainard listened to the shrill pipings of Cordelia answered by
Warner’s beery bass, his heart sank. He recalled all the rebuffs he had
received from the better players whom he had approached—their insincere
and voluble sympathy, their flimsy excuses, and the selfish fears that
kept them from offending Einstein & Flukeheimer, in spite of the generous
salaries and all the other temptations Brainard could think of to win
them to the cause of art.
“Maybe your gold mine will give out, or you will get tired of the stage,”
one well-known actress had said to him pertly. “Anyway, Einstein has
promised to put me on in one of Dudu Smith’s plays, and that’s good
enough for me!”
The People’s would have to do the best they could with second-rate and
third-rate people until they had “made good,” or could train their own
actors, Brainard reflected. Meanwhile Miss Leroy continued to pipe and
Dudley Warner to bawl, interrupted now and then by MacNaughton’s resonant
voice from the wings “No, no! That won’t do at all. Begin that once
more, Miss Leroy,” etc.
“Ah, it’s rotten! Cut it out!” a voice murmured out of the darkness
close to Brainard.
The fresh young voice so near to him startled Brainard, and he turned to
see who had spoken. In the gloom he could make out a girl sitting
hunched up, with crossed legs, a newspaper on her lap, from which she
seemed to be eating her luncheon.
“It _is_ pretty rotten,” Brainard admitted.
“The whole bunch is no account trash, anyway,” the young person continued
impersonally, dangling a slice of sausage before her mouth. “Like last
year’s grass or yesterday’s supper. But that Jenny! Why, she couldn’t
decorate a cemetery properly!”
Public-domain text, read in full here on John Shaqi.
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