Adventure stories; Inheritance and succession -- Fiction; Mines and mineral resources -- Fiction; Mystery fiction; Theater -- Fiction
As he had promised, Brainard attended to the business affairs of Melody’s
estate. The lawyers easily obtained a stay of proceedings and a retrial.
With the proof of Krutzmacht’s real marriage to the mother of the young
actress, the case dropped like a cracked egg, before it got to court.
Hollinger and the counsel, who had been “staking” Miss Walters in her
attempt, foresaw dangerous consequences and withdrew precipitately from
the case. After the smoke had cleared away, Brainard did not forget the
plea that Hollinger had made in behalf of Krutzmacht’s former
stenographer. He resolved to use whatever influence he might have with
the new heiress to secure for Lorilla Walters a modest crumb from the
rich cake she had fought for that would make her independent for life and
allow her to withdraw permanently from the stage. The last that Brainard
heard of the versatile fight-trust magnate he was employed in the
capacity of financial adviser to a Chinese prince, who had conceived the
idea of developing a railroad in his province with the aid of Western
capital. Hollinger, whose headquarters were generally in London,
achieved a signal success in this kind of financial diplomacy for which
his temperament and his morals both fitted him.
After the suit had been disposed of, Brainard amused himself by preparing
an elaborate report of his trusteeship of the estate, in which everything
was accounted for, to the original items he had spent on his first
journey. He also put his own affairs in order, in preparation for that
day at the close of the theatrical season when the young actress would
deign to give her attention to business matters. She was too busy at
present.
For the improbable had really happened. _Her Great Adventure_ proved to
be the one undoubted theatrical success of the past four seasons. That
intelligent first-night audience had gone home and told its friends that
they must not miss the new play at the queer theater in West Twelfth
Street. They, in turn, had promptly told their friends, and the news had
quickly become contagious. Instead of a two weeks’ run the house sold
out until the end of June, and a road company was already being prepared
to satisfy the curiosity of the provinces. Incredible fact! The
People’s Theater was making money, even with its low scale of prices.
At the close of the fourth week, when the new manager came to see
Brainard in regard to the next season, Brainard smiled at him in
amusement.
“I’m out of the theater business, Leaventritt. The place isn’t mine any
longer.”
“I saw that you had won your suit.”
“Yes, but the theater isn’t mine.”
“Sold out?” the manager asked, a disgusted look on his eager face.
“Not that, but I’m out of it, just the same. You’ll have to see Miss
White about another season. Perhaps she can help you out.”
Public-domain text, read in full here on John Shaqi.
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