British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Gentlemen native to Bengal are not usually invited to balls at
Government House. It is unnecessary to speak of the ladies: they are
non-existent to the social eye, even if it belongs to a Viceroy. The
reason is popularly supposed to be the inability of gentlemen native to
Bengal to understand the waltz, except by Aryan analysis. It is thought
well to circumscribe their opportunities of explaining it thus, and they
are asked instead to evening parties which offer nothing more
stimulating to the imagination than conversation and champagne—of
neither of which they partake. On this occasion however, at the entreaty
of the visiting royalty, the rule was relaxed to admit perhaps fifty;
and when Lewis Ancram arrived—rather late—the first personality he
recognised as in any way significant was that of Mohendra Lal
Chuckerbutty, who leaned against a pillar, with his hands clasped behind
him, raptly contemplating a polka. Mohendra, too, had an appreciation of
personalities, and of his respectful duty to them. He bore down in
Ancram’s direction unswervingly through the throng, his eye humid with
happiness, his hand held out in an impulse of affection. When he thought
he had arrived at the Chief Secretary’s elbow he looked about him in
some astonishment. A couple of subalterns in red jackets disputed with
mock violence over the dance-card of a little girl in white, and a much
larger lady was waiting with imposing patience until he should be
pleased to get off her train. At the same moment an extremely correct
black back glanced through the palms into the verandah.
The verandah was very broad and high, and softly lighted in a way that
made vague glooms visible and yet gave a gentle radiance to the sweep of
pale-tinted drapery that here and there suggested a lady sunk in the
depths of a roomy arm-chair, playing with her fan and talking in
undertones. It was a place of delicious mystery, in spite of the strains
of the orchestra that throbbed out from the ball-room, in spite of the
secluded fans opening and closing in some commonplace of Calcutta
flirtation. The mystery came in from without, where the stars crowded
down thick and luminous behind the palms, and a grey mist hung low in
the garden beneath, turning it into a fantasy of shadowed forms and
filmy backgrounds and new significances. Out there, in the wide spaces
beyond the tall verandah pillars, the spirit of the spring was
abroad—the troubled, throbbing, solicitous Indian spring, perfumed and
tender. The air was warm and sweet and clinging; it made life a
pathetic, enjoyable necessity, and love a luxury of much refinement.
Public-domain text, read in full here on John Shaqi.
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