Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
meet the enemy with the certainty of beating him before sunset.
* Edouard Manet.--ED.
Claude, whose spirits had revived amidst that martial odour, grew
animated and pugnacious as he listened to the laughter of the public. He
looked as defiant, indeed, as if he had heard bullets whizzing past him.
Sufficiently discreet at the entrance of the galleries, the laughter
became more boisterous, more unrestrained, as they advanced. In the
third room the women ceased concealing their smiles behind their
handkerchiefs, while the men openly held their sides the better to ease
themselves. It was the contagious hilarity of people who had come to
amuse themselves, and who were growing gradually excited, bursting out
at a mere trifle, diverted as much by the good things as by the bad.
Folks laughed less before Chaîne’s Christ than before the back view of
the nude woman, who seemed to them very comical indeed. The ‘Lady in
White’ also stupefied people and drew them together; folks nudged each
other and went into hysterics almost; there was always a grinning group
in front of it. Each canvas thus had its particular kind of success;
people hailed each other from a distance to point out something funny,
and witticisms flew from mouth to mouth; to such a degree indeed that,
as Claude entered the fourth gallery, lashed into fury by the tempest of
laughter that was raging there as well, he all but slapped the face of
an old lady whose chuckles exasperated him.
‘What idiots!’ he said, turning towards his friends. ‘One feels inclined
to throw a lot of masterpieces at their heads.’
Sandoz had become fiery also, and Fagerolles continued praising the
most dreadful daubs, which only tended to increase the laughter, while
Gagnière, at sea amid the hubbub, dragged on the delighted Irma, whose
skirts somehow wound round the legs of all the men.
But of a sudden Jory stood before them. His fair handsome face
absolutely beamed. He cut his way through the crowd, gesticulated, and
exulted, as if over a personal victory. And the moment he perceived
Claude, he shouted:
‘Here you are at last! I have been looking for you this hour. A success,
old fellow, oh! a success--’
‘What success?’
‘Why, the success of your picture. Come, I must show it you. You’ll see,
it’s stunning.’
Claude grew pale. A great joy choked him, while he pretended to receive
the news with composure. Bongrand’s words came back to him. He began to
believe that he possessed genius.
‘Hallo, how are you?’ continued Jory, shaking hands with the others.
And, without more ado, he, Fagerolles and Gagnière surrounded Irma, who
smiled on them in a good-natured way.
‘Perhaps you’ll tell us where the picture is,’ said Sandoz, impatiently.
‘Take us to it.’
Public-domain text, read in full here on John Shaqi.
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