Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
A life of torment then began. In the course of a fortnight she was only
able to call on three occasions; and she arrived panting, having but a
few minutes at her disposal, for it so happened that the old lady had
just then become very exacting. Claude questioned her, feeling uneasy
at seeing her look so pale and out of sorts, with her eyes bright with
fever. Never had that pious house, that vault, without air or light,
where she died of boredom, caused her so much suffering. Her fits of
giddiness had come upon her again; the want of exercise made the blood
throb in her temples. She owned to him that she had fainted one evening
in her room, as if she had been suddenly strangled by a leaden hand.
Still she did not say a word against her employer; on the contrary, she
softened on speaking of her: the poor creature, so old and so infirm,
and so kind-hearted, who called her daughter! She felt as if she were
committing a wicked act each time that she forsook her to hurry to her
lover’s.
Two more weeks went by, and the falsehoods with which Christine had to
buy, as it were, each hour of liberty became intolerable to her. She
loved, she would have liked to proclaim it aloud, and her feelings
revolted at having to hide her love like a crime, at having to lie
basely, like a servant afraid of being sent away.
At last, one evening in the studio, at the moment when she was leaving,
she threw herself with a distracted gesture into Claude’s arms, sobbing
with suffering and passion. ‘Ah! I cannot, I cannot--keep me with you;
prevent me from going back.’
He had caught hold of her, and was almost smothering her with kisses.
‘You really love me, then! Oh, my darling! But I am so very poor, and
you would lose everything. Can I allow you to forego everything like
this?’
She sobbed more violently still; her halting words were choked by her
tears.
‘The money, eh? which she might leave me? Do you think I calculate? I
have never thought of it, I swear it to you! Ah! let her keep everything
and let me be free! I have no ties, no relatives; can’t I be allowed to
do as I like?’
Then, in a last sob of agony: ‘Ah, you are right; it’s wrong to desert
the poor woman. Ah! I despise myself. I wish I had the strength. But I
love you too much, I suffer too much; surely you won’t let me die?’
‘Oh!’ he cried in a passionate transport. ‘Let others die, there are but
we two on earth.’
Public-domain text, read in full here on John Shaqi.
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