Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Then he took his arm and accompanied him, giggling with pleasure, while
the other, in his constant worry about his future, which always made him
talk about himself, at once began speaking of his prospects. He had just
become a first-class pupil at the School, after securing the regulation
‘honourable mentions,’ with infinite trouble. But his success left
him as perplexed as ever. His parents no longer sent him a penny, they
wailed about their poverty so much that he might have to support them
in his turn. He had given up the idea of competing for the Prix de Rome,
feeling certain of being beaten in the effort, and anxious to earn his
living. And he was weary already; sick at scouring the town, at earning
twenty-five sous an hour from ignorant architects, who treated him
like a hodman. What course should he adopt? How was he to guess at the
shortest route? He might leave the School; he would get a lift from his
master, the influential Dequersonnière, who liked him for his docility
and diligence; only what a deal of trouble and uncertainty there would
still be before him! And he bitterly complained of the Government
schools, where one slaved away for years, and which did not even provide
a position for all those whom they cast upon the pavement.
Suddenly he stopped in the middle of the path. The elder hedges were
leading to an open plain, and La Richaudière appeared amid its lofty
trees.
‘Hold hard! of course,’ exclaimed Claude, ‘I hadn’t thought about
it--you’re going to that shanty. Oh! the baboons; there’s a lot of ugly
mugs, if you like!’
Dubuche, looking vexed at this outburst of artistic feeling, protested
stiffly. ‘All the same, Papa Margaillan, idiot as he seems to you, is
a first-rate man of business. You should see him in his building-yards,
among the houses he runs up, as active as the very fiend, showing
marvellous good management, and a wonderful scent as to the right
streets to build and what materials to buy! Besides, one does not earn
millions without becoming a gentleman. And then, too, it would be very
silly of me not to be polite to a man who can be useful to me.’
While talking, he barred the narrow path, preventing his friend from
advancing further--no doubt from a fear of being compromised by being
seen in his company, and in order to make him understand that they ought
to separate there.
Claude was on the point of inquiring about their comrades in Paris, but
he kept silent. Not even a word was said respecting Christine, and he
was reluctantly deciding to quit Dubuche, holding out his hand to take
leave, when, in spite of himself, this question fell from his quivering
lips:
‘And is Sandoz all right?’
‘Yes, he’s pretty well. I seldom see him. He spoke to me about you last
month. He is still grieved at your having shown us the door.’
‘But I didn’t show you the door,’ exclaimed Claude, beside himself.
‘Come and see me, I beg of you. I shall be so glad!’
Public-domain text, read in full here on John Shaqi.
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