Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘Well, you may believe me if you like, but when a fellow’s almost
starving it isn’t disagreeable to keep quiet. Yes, one gets numb amidst
silence; it’s like an inside coating that stills the gnawing of the
stomach a bit. Ah, that Chaîne! You haven’t a notion of his peasant
nature. When he had spent his last copper without earning the fortune
he expected by painting, he went into trade, a petty trade, which was to
enable him to finish his studies. Isn’t the fellow a sharp ‘un, eh?
And just listen to his plan. He had some olive oil sent to him from
Saint-Firmin, his village, and then he tramped the streets and found
a market for the oil among well-to-do families from Provence living in
Paris. Unfortunately, it did not last. He is such a clod-hopper that
they showed him the door on all sides. And as there was a jar of oil
left which nobody would buy, well, old man, we live upon it. Yes, on the
days when we happen to have some bread we dip our bread into it.’
Thereupon he pointed to the jar standing in a corner of the shop. Some
of the oil having been spilt, the wall and the floor were darkened by
large greasy stains.
Claude left off laughing. Ah! misery, how discouraging it was! how
could he show himself hard on those whom it crushed? He walked about
the studio, no longer vexed at finding models weakened by concessions
to middle-class taste; he even felt tolerant with regard to that hideous
bust. But, all at once, he came across a copy that Chaîne had made at
the Louvre, a Mantegna, which was marvellously exact in its dryness.
‘Oh, the brute,’ he muttered, ‘it’s almost the original; he’s never done
anything better than that. Perhaps his only fault is that he was born
four centuries too late.’
Then, as the heat became too great, he took off his over-coat, adding:
‘He’s a long while fetching his tobacco.’
‘Oh! his tobacco! I know what that means,’ said Mahoudeau, who had set
to work at his bust, finishing the whiskers; ‘he has simply gone next
door.’
‘Oh! so you still see the herbalist?’
‘Yes, she comes in and out.’
He spoke of Mathilde and Chaîne without the least show of anger, simply
saying that he thought the woman crazy. Since little Jabouille’s death
she had become devout again, though this did not prevent her from
scandalising the neighbourhood. Her business was going to wreck, and
bankruptcy seemed impending. One night, the gas company having cut off
the gas in default of payment, she had come to borrow some of their
olive oil, which, after all, would not burn in the lamps. In short, it
was quite a disaster; that mysterious shop, with its fleeting shadows of
priests’ gowns, its discreet confessional-like whispers, and its odour
of sacristy incense, was gliding to the abandonment of ruin. And the
wretchedness had reached such a point that the dried herbs suspended
from the ceiling swarmed with spiders, while defunct leeches, which had
already turned green, floated on the tops of the glass jars.
Public-domain text, read in full here on John Shaqi.
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