Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
The hand that he had free grasped Claude’s in a burst of sincere
affection. He then shook Jory’s, adding:
‘And you, young pontiff; I read your last article, and thank you for
your kind mention of myself. Come in, come in, both of you! You don’t
disturb me; I’m taking advantage of the daylight to the very last
minute, for there’s hardly time to do anything in this confounded month
of November.’
He had resumed his work, standing before his easel, on which there was
a small canvas, which showed two women, mother and daughter, sitting
sewing in the embrasure of a sunlit window. The young fellows stood
looking behind him.
‘Exquisite,’ murmured Claude, at last.
Bongrand shrugged his shoulders without turning round.
‘Pooh! A mere nothing at all. A fellow must occupy his time, eh? I did
this from life at a friend’s house, and I am cleaning it a bit.’
‘But it’s perfect--it is a little gem of truth and light,’ replied
Claude, warming up. ‘And do you know, what overcomes me is its
simplicity, its very simplicity.’
On hearing this the painter stepped back and blinked his eyes, looking
very much surprised.
‘You think so? It really pleases you? Well, when you came in I was just
thinking it was a foul bit of work. I give you my word, I was in the
dumps, and felt convinced that I hadn’t a scrap of talent left.’
His hands shook, his stalwart frame trembled as with the agony of
travail. He rid himself of his palette, and came back towards them,
his arms sawing the air, as it were; and this artist, who had grown old
amidst success, who was assured of ranking in the French School, cried
to them:
‘It surprises you, eh? but there are days when I ask myself whether
I shall be able to draw a nose correctly. Yes, with every one of my
pictures I still feel the emotion of a beginner; my heart beats, anguish
parches my mouth--in fact, I funk abominably. Ah! you youngsters, you
think you know what funk means; but you haven’t as much as a notion
of it, for if you fail with one work, you get quits by trying to do
something better. Nobody is down upon you; whereas we, the veterans,
who have given our measure, who are obliged to keep up to the level
previously attained, if not to surpass it, we mustn’t weaken under
penalty of rolling down into the common grave. And so, Mr. Celebrity,
Mr. Great Artist, wear out your brains, consume yourself in striving to
climb higher, still higher, ever higher, and if you happen to kick
your heels on the summit, think yourself lucky! Wear your heels out
in kicking them up as long as possible, and if you feel that you are
declining, why, make an end of yourself by rolling down amid the death
rattle of your talent, which is no longer suited to the period; roll
down forgetful of such of your works as are destined to immortality, and
in despair at your powerless efforts to create still further!’
Public-domain text, read in full here on John Shaqi.
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