Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
On the right-hand side of the hall he ushered Claude into the parlour,
which he had turned into a study. The dining-room and kitchen were
on the left. Upstairs, his mother, who was now altogether bedridden,
occupied the larger room, while he and his wife contented themselves
with the other one, and a dressing-room that parted the two. That was
the whole place, a real cardboard box, with rooms like little drawers
separated by partitions as thin as paper. Withal, it was the abode of
work and hope, vast in comparison with the ordinary garrets of youth,
and already made bright by a beginning of comfort and luxury.
‘There’s room here, eh?’ he exclaimed. ‘Ah! it’s a jolly sight more
comfortable than the Rue d’Enfer. You see that I’ve a room to myself.
And I have bought myself an oaken writing-table, and my wife made me
a present of that dwarf palm in that pot of old Rouen ware. Isn’t it
swell, eh?’
His wife came in at that very moment. Tall, with a pleasant, tranquil
face and beautiful brown hair, she wore a large white apron over her
plainly made dress of black poplin; for although they had a regular
servant, she saw to the cooking, for she was proud of certain of
her dishes, and she put the household on a footing of middle-class
cleanliness and love of cheer.
She and Claude became old chums at once.
‘Call him Claude, my darling. And you, old man, call her Henriette. No
madame nor monsieur, or I shall fine you five sous each time.’
They laughed, and she scampered away, being wanted in the kitchen to
look after a southern dish, a _bouillabaisse_, with which she wished
to surprise the Plassans friend. She had obtained the recipe from her
husband himself, and had become marvellously deft at it, so he said.
‘Your wife is charming,’ said Claude, ‘and I see she spoils you.’
Public-domain text, read in full here on John Shaqi.
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