Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
However, Sandoz, with his craving for perpetuity, had so far noticed
nothing; he still beheld them as they had been in the Rue d’Enfer, all
arm in arm, starting off to victory. Why change what was well? Did not
happiness consist in one pleasure selected from among all, and then
enjoyed for ever afterwards? And when, an hour later, the others made up
their minds to go off, wearied by the dull egotism of Dubuche, who
had not left off talking about his own affairs; when they had dragged
Gagnière, in a trance, away from the piano, Sandoz, followed by his
wife, absolutely insisted, despite the coldness of the night, on
accompanying them all to the gate at the end of the garden. He shook
hands all round, and shouted after them:
‘Till Thursday, Claude; till next Thursday, all of you, eh? Mind you all
come!’
‘Till Thursday!’ repeated Henriette, who had taken the lantern and was
holding it aloft so as to light the steps.
And, amid the laughter, Gagnière and Mahoudeau replied, jokingly: ‘Till
Thursday, young master! Good-night, young master!’
Once in the Rue Nollet, Dubuche immediately hailed a cab, in which
he drove away. The other four walked together as far as the outer
boulevards, scarcely exchanging a word, looking dazed, as it were, at
having been in each other’s company so long. At last Jory decamped,
pretending that some proofs were waiting for him at the office of his
newspaper. Then Gagnière mechanically stopped Claude in front of the
Café Baudequin, the gas of which was still blazing away. Mahoudeau
refused to go in, and went off alone, sadly ruminating, towards the Rue
du Cherche-Midi.
Without knowing how, Claude found himself seated at their old table,
opposite Gagnière, who was silent. The café had not changed. The friends
still met there of a Sunday, showing a deal of fervour, in fact, since
Sandoz had lived in the neighbourhood; but the band was now lost amid
a flood of new-comers; it was slowly being submerged by the increasing
triteness of the young disciples of the ‘open air.’ At that hour
of night, however, the establishment was getting empty. Three young
painters, whom Claude did not know, came to shake hands with him as they
went off; and then there merely remained a petty retired tradesman of
the neighbourhood, asleep in front of a saucer.
Gagnière, quite at his ease, as if he had been at home, absolutely
indifferent to the yawns of the solitary waiter, who was stretching his
arms, glanced towards Claude, but without seeing him, for his eyes were
dim.
‘By the way,’ said the latter, ‘what were you explaining to Mahoudeau
this evening? Yes, about the red of a flag turning yellowish amid
the blue of the sky. That was it, eh? You are studying the theory of
complementary colours.’
But the other did not answer. He took up his glass of beer, set it down
again without tasting its contents, and with an ecstatic smile ended by
muttering:
Public-domain text, read in full here on John Shaqi.
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